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更新时间：2023-11-26 05:22
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二十七岁的马克斯（詹姆斯·斯派德 James Spader 饰）是一位事业有成的广告人，不久前，他的妻子不幸去世，至今，马克斯都未能走出丧妻的悲痛阴影中，个性也因此而变得封闭和阴沉。 某日，他来到了一间小酒吧喝酒解闷，在这里，马克斯遇见了名为诺拉（苏珊·萨兰登 Susan Sarandon 饰）的四十三岁女招待。命运让这两个身份地位和年龄都悬殊巨大的人相互吸引，诺拉让马克斯暂时淡忘了痛苦，马克斯亦教会了诺拉什么是尊重，随着时间的推移，他们坠入了爱河。然而，这段世人眼中并不匹配的恋情注定要遭到诸多的考验，最终，他们的真爱能否战胜世俗的非议和彼此之间巨大的鸿沟呢？
长篇影评
1 ) 迷死我的james spader
我迷上的并不是《Boston Legal》里的James Spader，我迷上的是20年前的James Spader。对，我是在2009.11.16无意中看了《性，谎言，录像带》时迷上他的，一发不可收拾，热血沸腾的BT了《情挑六月花》看到凌晨1点。。。大家可能会觉得为什么是《情挑六月花》这部在他的作品里最不怪诞，最不特别的来看，我来告诉你原因：因为，百度James Spader时，大多数的网友都说如果是冲着James Spader这个人去的话，一定要看的就是《情挑六月花》了，这是James Spader容貌，身材，气质都最迷人最顶峰的时候拍的。他的半睁半眯的迷离的蓝色眼睛；他的精致的瘦削的刚刚好的脸颊；他的眼睛往下看时最让我着迷的金黄色的睫毛；他的秀美细长又不失锋芒的眉毛；他的略显单薄的嘴（但是他有我最爱的上翘的嘴角足以弥补）以及嘴唇一张一合间露出的整齐洁白的完美的牙齿；他的特别的因为有肉而显得整个人都很可爱的下巴；他的因为细而不显粗糙的金黄色的头发；他的深受我喜欢的白皙的干净的长长的手指（仿佛钢琴家一样）；他的被无数网友赞美的光洁的皮肤，恰到好处的肌肉，匀称的身体。。。我一直以为用干净来评价一个男人的外在那就算最高的评价了，James Spader是我心目中一个非常干净漂亮的男人。
忍不住百度了James Spader，看到了他现在的样子，原来男人也是适用于美人迟暮的这句话的，20年的岁月已经把他精美瘦削的面部轮廓打磨的圆滑，他曾经清秀的身材也变得臃肿起来，笑容还是很腼腆，但是少了些什么呢？是天真，迷茫吧，依然上翘的嘴角挂着的是淡淡的无奈和走过岁月对世事的不屑。这才是现实，我却总是更喜欢之前的样子之前的感觉，就像是这段时间同时为之疯狂的《日出之前》和《日落之前》一样，我却是更迷恋于九年前他们还是二十二三青春少年时，是我自己的问题吧？总是想抓住时间，希望一切停住不要变，但是，时间怎么会停留呢？它就像James Spader的一声浅浅叹息，还没经意，已经过去。。。
附上James Spader《性，谎言，录像带》和《情挑六月花》海报以纪念我刚刚爱上的却是20年前的他。。
2 ) 爱就是现实
他的谎言为了略掉生活中那些轻飘飘的东西，她的谎言是为了掠过沉重。
但是之所以感觉到那轻与重，并不是因为你身在其中，而是因为那是你想摆脱却摆脱不了的，也许是还未意识到，也许是从未想过你本来可以甩手离开。
在Max和Sarah，你或我身上，或多或少都有这么一些包袱和烟尘，这些并非无因的事物、感情和所有人、事与记忆的关系，让人有时难以去区分，我们所拥有和追求的是真实还是浮夸，在我们心里不安躁动的是妄想还是真正的渴望。青年时代的问题似乎你已不再试图去回答，它们变作忧思愁绪总是一闪而过。幸好人制订了一套社会规则，路很宽，人很安全也有自由，你可以选择置身其中，忙于工作，交际，为自己在社会里安顿一个角色，忙于忘却。
不是不好。只是有天，有些东西改变了，然后问题一股脑地出现。不过随着时间慢慢过去，你下自己的大富翁旗，该你前进的时候你丢色子，该做什么做什么。你略带惊喜的发现，你已经成长，你更坚强更健壮你面对了改变。换个说法，你体面地挺过来了，再换句话说，你已经慢慢习惯，继而发现生活中让你快乐的事儿可真不少。忧愁和快乐都不太能长久，你有点害怕独处，说不上在乎些什么，隐隐约约的觉得自己丢失了什么东西。
他在买汉堡的时候跟一个女人吵架，这个女人不再年轻，但还是漂亮。她在酒吧挑逗他，他开车送她回家因为醉了撞翻了她家邮筒，在梦中好像看见自己的亡妻，他还是和她上床了。他发现和她在一起时，灵魂轻盈自由。而她在爱中的怀疑和期待，让她觉得好像自己并非什么都不在乎，就像个还不太会恋爱的小姑娘，忧患这段并不稳定的关系。
他们在一起彼此都快乐真实，爱可以创造一个小世界。唯一的问题就是Max让这个世界和他一直存在的那个保持着距离。但是他拥有了这个世界，他获得了没有牵绊仅仅是快乐的自由，这必然会影响到他自身和他原有的身份，连上司也问他，你这个螺丝钉怎么最近老是松。
感恩节那天，Max带她出现在家人朋友面前，她穿了白色的毛衣和A字裙做了头发，但是还是焦虑，因为她不认为Max的家人朋友会真正接纳她。她的焦虑和不自信让她难以支撑下去，尽管只是一些蛛丝马迹，但是她终于还是在卫生间谈话中对处在Max圈子的一个女人dirty teasing起来。餐桌前，她也不能让自己只是笑着，她要说话，表明身份阶级，然后搞砸这些自相矛盾得以释放内心的焦躁。
这段关系最后结束了。他在她的沙发上看见一封信，最后一句说，no matter what you say you felt about me, I know one thing for sure, you can’t look into my eyes and tell me that I don’t embarrassed you.
生活好像回归正途，他又回到温暖大家庭，直到他在朋友家做客，那个朋友倾慕他很久，也许这一次他不会拒绝。直到他看到那个袖珍吸尘器，他也买过一个给Sarah，被Sarah臭骂一顿，说他嫌她不整洁。他着魔一样走到那个挂在墙壁上的吸尘器，卸下吸尘箱，大叫着，这里面压根没土！！这里面压根没尘！！！
他最后拎着他全部家当去找她。她在一家餐厅当服务员。他说他只想要她，他把其他的都一甩手扔了，他装模作样的点餐，点她想听的那个乐队，这时她才能确定的说出来， Honey, I got everything you need.
整件事就是这样的。Max的美丽年轻的亡妻的角色更像是一针麻醉剂，她的存在就像一个安乐窝、一个温柔乡，他可以不去想，做一个应该成为的人。听些高雅的音乐当然也要阅读。为了她和家，他的忙碌是有意义的，他可以在日复一日的生活里得到勇气和意义就像一个为了公主拼了命的将领。但是一旦人走了，要面对的事情就是自己怎么办？
可能爱情还不仅仅是这样的吧。不自由爱不成立，不自由人不完满。
他爱她的时候眼神纯真的像个未经世事的少年，而她笑着像对未来充满了信心。在爱里得到的勇气，可以充盈整个人生。
梭罗这样定义自己：“从事物的现状中得到鼓励，得到灵感，像情人一样热烈地真爱现实。”这是梭罗的现实，那Max或者Sarah的呢？我们的呢？
我也希望有一天，我可以自信满满对爱的人说，Honey, I got everything you need.
但是之所以感觉到那轻与重，并不是因为你身在其中，而是因为那是你想摆脱却摆脱不了的，也许是还未意识到，也许是从未想过你本来可以甩手离开。
在Max和Sarah，你或我身上，或多或少都有这么一些包袱和烟尘，这些并非无因的事物、感情和所有人、事与记忆的关系，让人有时难以去区分，我们所拥有和追求的是真实还是浮夸，在我们心里不安躁动的是妄想还是真正的渴望。青年时代的问题似乎你已不再试图去回答，它们变作忧思愁绪总是一闪而过。幸好人制订了一套社会规则，路很宽，人很安全也有自由，你可以选择置身其中，忙于工作，交际，为自己在社会里安顿一个角色，忙于忘却。
不是不好。只是有天，有些东西改变了，然后问题一股脑地出现。不过随着时间慢慢过去，你下自己的大富翁旗，该你前进的时候你丢色子，该做什么做什么。你略带惊喜的发现，你已经成长，你更坚强更健壮你面对了改变。换个说法，你体面地挺过来了，再换句话说，你已经慢慢习惯，继而发现生活中让你快乐的事儿可真不少。忧愁和快乐都不太能长久，你有点害怕独处，说不上在乎些什么，隐隐约约的觉得自己丢失了什么东西。
他在买汉堡的时候跟一个女人吵架，这个女人不再年轻，但还是漂亮。她在酒吧挑逗他，他开车送她回家因为醉了撞翻了她家邮筒，在梦中好像看见自己的亡妻，他还是和她上床了。他发现和她在一起时，灵魂轻盈自由。而她在爱中的怀疑和期待，让她觉得好像自己并非什么都不在乎，就像个还不太会恋爱的小姑娘，忧患这段并不稳定的关系。
他们在一起彼此都快乐真实，爱可以创造一个小世界。唯一的问题就是Max让这个世界和他一直存在的那个保持着距离。但是他拥有了这个世界，他获得了没有牵绊仅仅是快乐的自由，这必然会影响到他自身和他原有的身份，连上司也问他，你这个螺丝钉怎么最近老是松。
感恩节那天，Max带她出现在家人朋友面前，她穿了白色的毛衣和A字裙做了头发，但是还是焦虑，因为她不认为Max的家人朋友会真正接纳她。她的焦虑和不自信让她难以支撑下去，尽管只是一些蛛丝马迹，但是她终于还是在卫生间谈话中对处在Max圈子的一个女人dirty teasing起来。餐桌前，她也不能让自己只是笑着，她要说话，表明身份阶级，然后搞砸这些自相矛盾得以释放内心的焦躁。
这段关系最后结束了。他在她的沙发上看见一封信，最后一句说，no matter what you say you felt about me, I know one thing for sure, you can’t look into my eyes and tell me that I don’t embarrassed you.
生活好像回归正途，他又回到温暖大家庭，直到他在朋友家做客，那个朋友倾慕他很久，也许这一次他不会拒绝。直到他看到那个袖珍吸尘器，他也买过一个给Sarah，被Sarah臭骂一顿，说他嫌她不整洁。他着魔一样走到那个挂在墙壁上的吸尘器，卸下吸尘箱，大叫着，这里面压根没土！！这里面压根没尘！！！
他最后拎着他全部家当去找她。她在一家餐厅当服务员。他说他只想要她，他把其他的都一甩手扔了，他装模作样的点餐，点她想听的那个乐队，这时她才能确定的说出来， Honey, I got everything you need.
整件事就是这样的。Max的美丽年轻的亡妻的角色更像是一针麻醉剂，她的存在就像一个安乐窝、一个温柔乡，他可以不去想，做一个应该成为的人。听些高雅的音乐当然也要阅读。为了她和家，他的忙碌是有意义的，他可以在日复一日的生活里得到勇气和意义就像一个为了公主拼了命的将领。但是一旦人走了，要面对的事情就是自己怎么办？
可能爱情还不仅仅是这样的吧。不自由爱不成立，不自由人不完满。
他爱她的时候眼神纯真的像个未经世事的少年，而她笑着像对未来充满了信心。在爱里得到的勇气，可以充盈整个人生。
梭罗这样定义自己：“从事物的现状中得到鼓励，得到灵感，像情人一样热烈地真爱现实。”这是梭罗的现实，那Max或者Sarah的呢？我们的呢？
我也希望有一天，我可以自信满满对爱的人说，Honey, I got everything you need.
3 ) 为什么现在没有这样的爱情电影了——创造爱
我是看着这些电影长大，《廊桥遗梦》，《闻香识女人》，《剪刀手爱德华》，，，，相比欧洲-巴黎中心的恋爱混合着更多哲学的主义道理，美式喜剧正如崇尚巴黎的人所说，简单，直接，“傻”。
好像只有我把这些爱情当真，他们为何不是真的？
还是无法对爱cynical。
影片中， 女主。男主。
现在为什么不拍这样的电影了
4 ) 中产阶级的伪善
这明明是一部爱情的电影，可是，我却看到了另外一个题材——中产阶级的生活和伪善，通过对比。
当诺拉到瑞秋的家里做客，诺拉作为劳工阶层的人，无法融入麦克斯中产阶级的朋友们。尽管他们试图掩饰他们的诧异，但是他们打量着她的衣着，诧异于她的工作。在餐桌上，也讨论着关于如何为劳工阶层争取利益的事情。而诺拉说，事实上你不了解劳工阶层，你都没有饿过肚子。前者也正是我和身边一些人的写照。
按照中国的语汇，没有什么“中产阶级”，而事实上，已经出现了大批的中产阶级。生活富足、开始讲究生活质量几十年前，我们的确没有中产阶级。甚至上世纪80年代，90年代可能还没有。普通家庭的父母们，节衣缩食，供孩子读书，为的是孩子将来有能力谋得一个好的生活。而临近而立之年的我，现在也希望通过自己的努力，能够过上想象中的生活。当然，大家都为了自己的利益而打拼，这些都是无可厚非的。有趣的是，我们信仰的是马克思主义，很偶然，我进入的又是所谓“精英阶层”的学术圈。我们的偶像，是衣着光鲜、头脑丰富、受人膜拜的学术大佬们。女性学者们心目中往往也有个理想形象，智慧、知性而美丽。可是，假设当我们参加诺拉身处的这个party,如果诺拉这样一个劳工阶层出现，我们真的不会感觉到诧异吗？我们有了自己中产阶级的朋友圈子，我们在学术会议上谈论如何为“民”代言的问题，最可笑的是，当初我们拼命地读书，无非就是为了削尖了脑袋，脱离普通的“民”的阶层。
这部电影，让我看穿了一些东西，就是你心里是否有一层隔膜。如果果真如同我们所受过的教育，我们努力的目的，是为了让大家都摆脱贫困的生活，那么，在我们的心里，应该放下一些东西，应该没有分别心。如果端着分别心而进行着一切的努力，如同一些学者们，因为有了地位、权利、能力而瞧不起普通的学者，更瞧不起普通百姓，那么一肚子的书，就果真白读了。
我们要把握的，是真实。如果是这样，就要把虚假放下。所有人一起贫穷受难不是我们的目的，如果有能力，要在自己和孩子们的心目中种下真、种下善。看到party的那个场景时，我突然理解了甘地的“humble to zero”。我们的生活，总是被各种物质条件所裹挟，但是在内心，要做到“humble to zero”，因为你，终究是为他们服务的。
电影的结局，是他们在一起了。但是现实当中，他们未必能够。因为尽管阶层并非真正的距离，但是长久的不同阶层的生活，已经造就了他们不同的观念和生活习惯。当他们发现思想观念的迥异，这才是需要克服的真正障碍。让我欣赏和钦佩的，是诺拉的真实。这种真实，是抵得过所有中产阶级伪善生活的，这里面有一种莫大的勇气。
当诺拉到瑞秋的家里做客，诺拉作为劳工阶层的人，无法融入麦克斯中产阶级的朋友们。尽管他们试图掩饰他们的诧异，但是他们打量着她的衣着，诧异于她的工作。在餐桌上，也讨论着关于如何为劳工阶层争取利益的事情。而诺拉说，事实上你不了解劳工阶层，你都没有饿过肚子。前者也正是我和身边一些人的写照。
按照中国的语汇，没有什么“中产阶级”，而事实上，已经出现了大批的中产阶级。生活富足、开始讲究生活质量几十年前，我们的确没有中产阶级。甚至上世纪80年代，90年代可能还没有。普通家庭的父母们，节衣缩食，供孩子读书，为的是孩子将来有能力谋得一个好的生活。而临近而立之年的我，现在也希望通过自己的努力，能够过上想象中的生活。当然，大家都为了自己的利益而打拼，这些都是无可厚非的。有趣的是，我们信仰的是马克思主义，很偶然，我进入的又是所谓“精英阶层”的学术圈。我们的偶像，是衣着光鲜、头脑丰富、受人膜拜的学术大佬们。女性学者们心目中往往也有个理想形象，智慧、知性而美丽。可是，假设当我们参加诺拉身处的这个party,如果诺拉这样一个劳工阶层出现，我们真的不会感觉到诧异吗？我们有了自己中产阶级的朋友圈子，我们在学术会议上谈论如何为“民”代言的问题，最可笑的是，当初我们拼命地读书，无非就是为了削尖了脑袋，脱离普通的“民”的阶层。
这部电影，让我看穿了一些东西，就是你心里是否有一层隔膜。如果果真如同我们所受过的教育，我们努力的目的，是为了让大家都摆脱贫困的生活，那么，在我们的心里，应该放下一些东西，应该没有分别心。如果端着分别心而进行着一切的努力，如同一些学者们，因为有了地位、权利、能力而瞧不起普通的学者，更瞧不起普通百姓，那么一肚子的书，就果真白读了。
我们要把握的，是真实。如果是这样，就要把虚假放下。所有人一起贫穷受难不是我们的目的，如果有能力，要在自己和孩子们的心目中种下真、种下善。看到party的那个场景时，我突然理解了甘地的“humble to zero”。我们的生活，总是被各种物质条件所裹挟，但是在内心，要做到“humble to zero”，因为你，终究是为他们服务的。
电影的结局，是他们在一起了。但是现实当中，他们未必能够。因为尽管阶层并非真正的距离，但是长久的不同阶层的生活，已经造就了他们不同的观念和生活习惯。当他们发现思想观念的迥异，这才是需要克服的真正障碍。让我欣赏和钦佩的，是诺拉的真实。这种真实，是抵得过所有中产阶级伪善生活的，这里面有一种莫大的勇气。
5 ) 一场无法结束的艳遇
一个不相信爱情的人，看完这部电影有什么感觉呢？电影毕竟只是电影。我是这么想的。恐怕绝大多数人也这么想。可我又不禁怀疑，这世界上或许真的有那么一种感情呢，在世俗的理解之外存在。
我应该这么相信的，不能吃不到葡萄说葡萄酸。就像人们对电影的评价一样，他们认为其最终落入俗套。
如果你每次看到爱情这个字眼，都想起了一个人，那么你是爱他的，至少曾经爱过。只是我们大多数人没有那么幸运，遇不到太过美好的结局。所以电影要帮我们圆梦，如果，詹姆斯最后没有和苏珊在一起，那么，是世俗的胜利，如果在一起了，也许是爱情的胜利，但过多的，我以为是身体的，这是一场形而下的爱情，但人，毕竟首先是动物性的，也许，这种趋向于本能的爱情，会比那些所谓的精神恋爱来得持久，因为身体是最忠诚的，不易改变的。
这也许是爱情最初的宗旨和缘起。
只有那特定的人才能打开身体的密码，解开一道一道的心结，只有他，让灵与肉完美地契合，这当然是爱情的最高境界。
故事很简单，他们在酒吧相遇，是她勾引了他，他们产生了一丝丝的惺惺相惜，然后醉了，于是一夜情。生活中很常见的情景，只不过往往一夜发生，隔日那情，便蒸发在了白晃晃的日光之下，不复记起，也或许是彼此都没有解开对方身体的密码，于是永远别过。
他们打开了一条秘密的通道，洞悉了彼此的身体。
这是一种多么美妙的感觉。
我们往往想窥到世俗的另一面，因为我们总是无法超越。无法超越的原因其实不是其他，而是我们自己。
就像詹姆斯最后找到苏珊所说，他所不能面对的，只是他自己，而令他难堪的，也只是他自己而已。世俗的眼光只有自己认同了才能发生作用。
但在这一点上，我承认我们大多数人都无法超越，这既是这部电影的超越处，也是其不现实之处，因为其从某种意义上，违背了人性。矛盾的人性。所以现实故事中更多忧伤，因为不够决绝，太多顾念，反而得不偿失。
而一意孤行的故事，又有几多美好，几多不幸呢？他们最后，又将过上什么样的生活呢？故事都有个结局，而生活没有。
冷暖自知，一切，都得靠自己经营了。
我应该这么相信的，不能吃不到葡萄说葡萄酸。就像人们对电影的评价一样，他们认为其最终落入俗套。
如果你每次看到爱情这个字眼，都想起了一个人，那么你是爱他的，至少曾经爱过。只是我们大多数人没有那么幸运，遇不到太过美好的结局。所以电影要帮我们圆梦，如果，詹姆斯最后没有和苏珊在一起，那么，是世俗的胜利，如果在一起了，也许是爱情的胜利，但过多的，我以为是身体的，这是一场形而下的爱情，但人，毕竟首先是动物性的，也许，这种趋向于本能的爱情，会比那些所谓的精神恋爱来得持久，因为身体是最忠诚的，不易改变的。
这也许是爱情最初的宗旨和缘起。
只有那特定的人才能打开身体的密码，解开一道一道的心结，只有他，让灵与肉完美地契合，这当然是爱情的最高境界。
故事很简单，他们在酒吧相遇，是她勾引了他，他们产生了一丝丝的惺惺相惜，然后醉了，于是一夜情。生活中很常见的情景，只不过往往一夜发生，隔日那情，便蒸发在了白晃晃的日光之下，不复记起，也或许是彼此都没有解开对方身体的密码，于是永远别过。
他们打开了一条秘密的通道，洞悉了彼此的身体。
这是一种多么美妙的感觉。
我们往往想窥到世俗的另一面，因为我们总是无法超越。无法超越的原因其实不是其他，而是我们自己。
就像詹姆斯最后找到苏珊所说，他所不能面对的，只是他自己，而令他难堪的，也只是他自己而已。世俗的眼光只有自己认同了才能发生作用。
但在这一点上，我承认我们大多数人都无法超越，这既是这部电影的超越处，也是其不现实之处，因为其从某种意义上，违背了人性。矛盾的人性。所以现实故事中更多忧伤，因为不够决绝，太多顾念，反而得不偿失。
而一意孤行的故事，又有几多美好，几多不幸呢？他们最后，又将过上什么样的生活呢？故事都有个结局，而生活没有。
冷暖自知，一切，都得靠自己经营了。
6 ) 女主你是广大女屌丝的榜样啊！
豆瓣把这个电影归类为情色片，不懂为什么。尽管海报做的确实有些over。既然是情色片人们当然都是冲着情色的镜头去的也包括我，但是点开之后受限被James Spader 帅的逆天的脸吸引了到后来完全忘了那些夺人眼球的镜头。
酒吧调戏那段实在是不喜欢女主，又老有没教养又不漂亮凭什么勾引这个正太？但是相信我看完你不会这么想的。其实开始的情节有点像朗读者，也是御姐勾引正太然后正太深陷其中不能自拔。就像有人说这片简直就是励志片一样，40几岁的大龄女屌丝居然能泡上这么个高富帅更不要脸的是居然还对其那么死心塌地。纵观其情节还毫无违和感，这大概就是好电影和偶像剧的分别吧。其实有一问题一直不解，为什么如果女生爱上对她霸王硬上钩的男人那样就稍显小贱,反之如果是男人那就叫有性格或者真性情呢？这不就是？本来在酒吧还对人家很不屑跟人上了床之后立马不一样了,甚至做爱的时候还有些许主动的意思之后还跟朗读者里的小男孩一样深深忘不了那种感觉到最后爱上她？想起左小祖咒给自己女儿的信中这样说道“不知道谁说过女人上了床之后你在对方的心目中就已经贬值了，爸爸用男人的经验告诉你上了床之后在男人心中你才算真正的女朋友”.这句话也有待和男同胞们商讨。其实你看如果不是那女人先把正太搞上床并且让他体验到性爱的快乐，后来还意味深长的说了句 you needed it，按他俩的身份地位之悬殊怎么可能有机会呢？想到这个一方面是因为男人认为上了床的女友才是真正的女友，另外也想说恋爱真的是从耍流氓开始。
两个人的关系如果仅仅限于上床的炮友那真是要简单的多，所以在一段恋爱里真正难的是如何和对方相处。不管是骨子里就是这性格还是处于对自己卑微出身和不幸遭遇的敏感，她和男主相处的方式我觉得对广大女青年是各种试用。“如果你送我香皂或者香水那是你关心我，但你送我这（）小王八蛋是嫌我屋子脏”一直对这句话记忆尤深，如果是普通青年应该会心里暗暗羞愧或者感激涕零马上和人家上床，但是文艺青年敏锐的嗅觉告诉你这是嫌弃我不是爱我。大概很多男生看了就会觉得女生很难懂，但是仔细想想是难懂么？no 是你太自私。就像很多男生也抱怨女朋友总是想改变他是一样的，私以为如果那个人真的爱你他会在潜移默化中为你改变而不是你每天唠唠叨叨，结果是一样作用却大不相同。正因为这样其实很多分开的情侣也不完全是因为没有感情，反而爱的深的更容易分开，所谓情深不寿。经营一段关系仅仅靠爱是不够的，互相了解沟通、处事的方法、还有真诚度都是很重要的。现在很多两性关系的书教你怎么让男人对你死心塌地各种手段无所不用其极，拜托这是恋爱不是搞阴谋或者打仗。我总是觉得适当的距离、保持自己独立的性格和一颗真诚的心这才是王道吧。因为看到女主和男主在散步男生主动为女生系鞋带的那段真的是感动感触又羡慕，身边好多姐们儿以这个来衡量男朋友是否爱他，曾经看到一姐们当街让她男朋友系鞋带而且最后闹得鸡头白脸不欢而散。这种东西就像说我爱你，是内心自然的散发出来如果太勉强那反而有作秀的嫌疑或者惹得双方都彼此厌烦。扯远了。后来的结局不想评价因为不知道怎么说，俗气吧也不俗美好吧也还好反正不太合我意（这种观众好任性）。
突然想到男主和女主的故事在电影里总是显得浪漫的要死，现实中不是没有反而不少只是我们的接受范围只限在电影。不止一次听到妈妈和那些长辈的谈话，某某小伙多好啊长的好工作好家也不错怎么就找了个那样的老婆？其实我也爱说这样的话，为什么杏红的女朋友不是白富美长那么矮又不好看？为什么周润发老婆不好看，一定看好人家的钱啦！以前说这样的话总是理直气壮略带嫉妒，现在想想还有比这更傻逼的么？你又不是人家怎么知道人家幸福不幸福？长的不好看怎么了？家世不相配怎么了？拜托这是找个一辈子可以相依的伴啊，这种质问跟以前父母之命门当户对有什么分别？当然也不是说它就完全不对，我们在选择生活事业或者老公老婆的时候首先考虑的是别人怎么想，别人能不能瞧得起你，但是幸福不幸福只有自己知道。这种话说起来会稍显做作，但是实施起来却很受用。不是每个人一辈子都能有幸过上自己喜欢的日子找个相爱的人幸福相守，但是至少要朝这个方向大步流星走去。有幸的就好好享自己的人生吧！
可是说了这么多我为什么还木有交过男朋友啊？难道是我知道的太多了？掌嘴。。
最后还是要说对女主说一句“你真是我们广大女屌丝的偶像”!
酒吧调戏那段实在是不喜欢女主，又老有没教养又不漂亮凭什么勾引这个正太？但是相信我看完你不会这么想的。其实开始的情节有点像朗读者，也是御姐勾引正太然后正太深陷其中不能自拔。就像有人说这片简直就是励志片一样，40几岁的大龄女屌丝居然能泡上这么个高富帅更不要脸的是居然还对其那么死心塌地。纵观其情节还毫无违和感，这大概就是好电影和偶像剧的分别吧。其实有一问题一直不解，为什么如果女生爱上对她霸王硬上钩的男人那样就稍显小贱,反之如果是男人那就叫有性格或者真性情呢？这不就是？本来在酒吧还对人家很不屑跟人上了床之后立马不一样了,甚至做爱的时候还有些许主动的意思之后还跟朗读者里的小男孩一样深深忘不了那种感觉到最后爱上她？想起左小祖咒给自己女儿的信中这样说道“不知道谁说过女人上了床之后你在对方的心目中就已经贬值了，爸爸用男人的经验告诉你上了床之后在男人心中你才算真正的女朋友”.这句话也有待和男同胞们商讨。其实你看如果不是那女人先把正太搞上床并且让他体验到性爱的快乐，后来还意味深长的说了句 you needed it，按他俩的身份地位之悬殊怎么可能有机会呢？想到这个一方面是因为男人认为上了床的女友才是真正的女友，另外也想说恋爱真的是从耍流氓开始。
两个人的关系如果仅仅限于上床的炮友那真是要简单的多，所以在一段恋爱里真正难的是如何和对方相处。不管是骨子里就是这性格还是处于对自己卑微出身和不幸遭遇的敏感，她和男主相处的方式我觉得对广大女青年是各种试用。“如果你送我香皂或者香水那是你关心我，但你送我这（）小王八蛋是嫌我屋子脏”一直对这句话记忆尤深，如果是普通青年应该会心里暗暗羞愧或者感激涕零马上和人家上床，但是文艺青年敏锐的嗅觉告诉你这是嫌弃我不是爱我。大概很多男生看了就会觉得女生很难懂，但是仔细想想是难懂么？no 是你太自私。就像很多男生也抱怨女朋友总是想改变他是一样的，私以为如果那个人真的爱你他会在潜移默化中为你改变而不是你每天唠唠叨叨，结果是一样作用却大不相同。正因为这样其实很多分开的情侣也不完全是因为没有感情，反而爱的深的更容易分开，所谓情深不寿。经营一段关系仅仅靠爱是不够的，互相了解沟通、处事的方法、还有真诚度都是很重要的。现在很多两性关系的书教你怎么让男人对你死心塌地各种手段无所不用其极，拜托这是恋爱不是搞阴谋或者打仗。我总是觉得适当的距离、保持自己独立的性格和一颗真诚的心这才是王道吧。因为看到女主和男主在散步男生主动为女生系鞋带的那段真的是感动感触又羡慕，身边好多姐们儿以这个来衡量男朋友是否爱他，曾经看到一姐们当街让她男朋友系鞋带而且最后闹得鸡头白脸不欢而散。这种东西就像说我爱你，是内心自然的散发出来如果太勉强那反而有作秀的嫌疑或者惹得双方都彼此厌烦。扯远了。后来的结局不想评价因为不知道怎么说，俗气吧也不俗美好吧也还好反正不太合我意（这种观众好任性）。
突然想到男主和女主的故事在电影里总是显得浪漫的要死，现实中不是没有反而不少只是我们的接受范围只限在电影。不止一次听到妈妈和那些长辈的谈话，某某小伙多好啊长的好工作好家也不错怎么就找了个那样的老婆？其实我也爱说这样的话，为什么杏红的女朋友不是白富美长那么矮又不好看？为什么周润发老婆不好看，一定看好人家的钱啦！以前说这样的话总是理直气壮略带嫉妒，现在想想还有比这更傻逼的么？你又不是人家怎么知道人家幸福不幸福？长的不好看怎么了？家世不相配怎么了？拜托这是找个一辈子可以相依的伴啊，这种质问跟以前父母之命门当户对有什么分别？当然也不是说它就完全不对，我们在选择生活事业或者老公老婆的时候首先考虑的是别人怎么想，别人能不能瞧得起你，但是幸福不幸福只有自己知道。这种话说起来会稍显做作，但是实施起来却很受用。不是每个人一辈子都能有幸过上自己喜欢的日子找个相爱的人幸福相守，但是至少要朝这个方向大步流星走去。有幸的就好好享自己的人生吧！
可是说了这么多我为什么还木有交过男朋友啊？难道是我知道的太多了？掌嘴。。
最后还是要说对女主说一句“你真是我们广大女屌丝的偶像”!
7 ) White Palace Script
[Beep]
Maxie, it's Neil.
Don't forget the burgers, pal.
Corner of Olive and 18th.
It'll be ready at 7:30.
Yee-hah!
[Beep beep beep]
[Telephone rings]
[Ring]
[Beep]
Hello. It's your mother.
Don't forget tomorrow
we visit Janey.
You'll pick me up
at the store at : .
Hello?
[Door closes]
Hello?
MAN: All right!
[Music playing]
Max!
Ha ha ha!
Max! Max is here!
White Palace burgers!
Hi. What are you drinking?
Soda.
It's a bachelor party.
I'm getting married.
Oh! Oh!
WOMAN: Hey, what about me?
I want one.
Aah!
Hey, Max, some of these boxes
are empty, man.
What?
Son of a bitch.
Look at this.
I got three... four of them.
How could they be empty?
What's that? Five?
I got six, six empty boxes.
Shit. I should've
counted them. Sorry.
Come on.
It's a -cent burger.
I'm going back.
You want burgers or money?
- Are you crazy?
- What's he talking about?
What's the matter with you?
We're having a party!
We've been crapped on, Neil.
What is the trouble?
The trouble is you don't
give a damn about principle.
Are you kidding?
I'm a lawyer.
MAN: Hey! Hey! Hey!
- Excuse me.
- End of the line's over there.
- I'm not buying anything.
- Get in line, Fred.
Look inside the sack, please.
When it's your turn.
$ . .
I don't think
I need to get in line.
I already was in line.
I bought 50 burgers.
You only gave me 44
so I don't think
I have to wait.
- Is that so?
- That is so.
Look. Six empties.
I want my money back.
And how do I know you didn't
gobble up those burgers?
Because I don't gobble
and I don't lie.
You gave me six empty boxes.
I bought 50 burgers.
You gave me .
Do I get my money back
or go to the manager?
Smell the boxes. Here.
If there had been
White Palaces inside,
the boxes would stink,
wouldn't they?
Honey, my nose is so full
of White Palaces,
I couldn't smell one
shoved in my face.
Yo, buddy, I'd like
to get my hamburgers.
Will you leave
Mr. Astaire alone?
He's trying to report
a robbery here.
Thank you.
Next.
Whoa!
Are you Jewish?
I'm just guessing.
Hey! It's Honest Abe!
I got the money back, Neil.
You'll need it for therapy.
You're a nutcase.
Ladies and gentlemen,
may I introduce...
the future Mrs. Neil Horowitz?
Yay!
Ow!
Damn. She is fat.
She is always
going to be fat,
but she's
a very sweet woman.
Oh! Max, look.
It's you.
Hey, Max with the fiddle.
You were good, man.
You were good.
Max!
It's the fiddler.
Oh, Stravinsky.
What's next?
Who is that?
Is that Margie Brown?
NEIL: No. It's Janey.
Look how young she is.
When did you start going out
with her? Kindergarten?
Something like that. Yeah.
NEIL: She was beautiful.
Klugman, what else you got
back there, huh?
Larry.
Come on. Come on!
LARRY: It's stuck.
Give me a second.
Could somebody flip
the light switch?
NEIL: Max, have
another scotch, buddy.
Let's see.
Who wants another one?
You're turning into the crazy
old woman from Dickens,
the one who sits around
in her wedding dress
cherishing
her fucking grief.
Havisham.
Yeah. That's who
you're turning into.
When's the last time
you had a date?
What if I told you...
I wasn't interested
in getting laid right now?
Interest in getting laid
is the human condition,
for Christ's sakes, Max.
It's all around you.
Heidi Solomon.
Oh, please.
She salivates
over you every day.
Rita Fishman... she's gorgeous.
She would sleep...
If I choose
to be celibate,
that's not your business.
This isn't celibacy
we're talking about.
It's fucking necrophilia.
Good night, Neil.
- Great party.
- Yeah. Thanks. Thanks, Max.
You're feeling sorry
for yourself.
Makes me want to puke!
Blah-ha hah!
Whoa ho!
WOMAN: Ha ha ha!
Ha ha ha!
WOMAN: Wait a minute.
Aah! Ha ha!
MAN SINGING:
What would it take
to make you mine?
Ivory towers of wine
A rugged movie star
that looks so fine?
You know they're really
hard to find
What would it take
to make you mine?
I'd stay home all the time
Give you everything that's mine
Even though I'm paying on time
What would it take
To make
You mine?
MAX: Chivas and a splash.
MAN SINGING:
...to make you mine?
A condo in a sunny clime
Compatible astrology signs
Or sitting round gettin' high?
What would it take
to make you mine?
Champagne breakfast at :
Pumped up all of the time
Or simply just sayin' that I'd
Like to make you mine
All mine
All mine?
Some coincidence, huh?
What?
I'll give you a hint, Fred.
I ain't exactly Ginger Rogers.
Oh, no.
Oh, no, huh?
Yeah.
Oh, no, what? Huh?
I don't know.
Just oh, no.
What are you doing
in a dump like this?
You looking for trouble?
I'm having a drink.
Cigarette?
No, thank you.
I know, I know.
Smoking will kill me.
That's right.
Mmm. Well, come on.
Lecture me.
I love it. Come on.
I don't lecture.
Fred, I bet
you lecture everybody.
Yeah? Not tonight.
Good. How about another drink?
Jimmy, vodka tonic and...
- I don't want another drink.
- Scotch for my new friend here.
- What's your name?
- I don't want another drink.
Come on.
Let me buy you a drink.
Let's pass a peace pipe.
Come on. Huh?
I'm buying.
- Thanks, Jimmy.
- No, no. I got...
- I'm paying for it.
- I don't want you to.
- I am buying you a drink.
- Here. For both of them.
Please. All right. OK.
Look at you.
You're so cute.
You're all tensed up
like a ticklish little kid.
Damn. You are beautiful.
Look at that face.
Jimmy, is this
a beautiful face?
Anybody ever tell you
you look like Tony Curtis?
- All the time.
- Ha ha!
Hmm...
I had a wonderful dream.
I was sorting your shells
and mixing your cocktails.
When I woke up, I wanted to
swim right back to you.
"Some Like It Hot."
Did you ever see it?
- It's not a tough question.
- No, no.
- Marilyn Monroe.
- Yeah, I saw that.
God, she's something. Mmm.
MAX: Yeah. She is.
You swim?
Do I swim?
Yeah. You look like you swim.
I mean, you're not
real muscular,
but you're strong,
am I right?
I think you're drunk.
Yeah. If I get any drunker,
I'll fall all over you.
So...
What's with the monkey suit?
You a chauffeur?
Oh, no.
I was at a bachelor party.
Yours?
No.
Did you have a naked girl?
MAX: A dozen of them.
You got a wife?
Uh-uh.
No, I don't.
You're not sure?
I don't have a wife.
But you did
have one, right?
Yeah, that's r... yeah.
That's correct.
She leave you?
Is that how come you're so sad?
I'm not sad.
You're feeling
sorry for yourself.
Do you mind if we
change the subject?
Hi, Tony.
Hi, Fred.
Come on.
Tell me your name.
Mine's Nora.
Max.
Oh, that's cute.
What's your zip code? Hmm?
What kind of soap does
your wife use?
Maybe you should take
your hand off my thigh.
My hand's not on your thigh.
Night.
Sorry about your lady
dumping you.
- She didn't exactly dump me.
- What did she do, then?
She died.
Died?
You mean died?
Yeah.
That's a new one.
How did she do that?
Car turned over.
Ha ha ha!
Oh, I'm s...
I'm sorry. I just...
I can't help it.
That's all right.
I don't know
why I'm laughing.
Your wife died.
Maybe nobody ever
died on you before.
No. Charlie died.
Charlie? What?
Is that your doggie?
No.
Charlie... my kid.
Your kid?
I know, I know. I know.
How'd he die?
Leukemia.
What can you do?
The world spins around.
I'm sorry.
It's over...
right?
Right.
Good night.
MAN SINGING:
This good-hearted woman
She loves her good-timin' man
Drive me home.
I'll fix you a cup of coffee.
Actually, I missed the bus.
I don't live too far from here.
Come on. You don't
want me to take a taxi.
- Don't smoke in the car, OK?
- Deal.
Put your seat belt on.
It's all right. Hold on.
You're a cautious little doggie.
[Operatic aria playing]
What's that?
That is the most beautiful music
in the world.
You got any Oak Ridge Boys?
No. I'm afraid not.
What are you?
Are you Italian or something?
I'm Jewish.
Jewish?
Ha!
Interesting people... Jews.
I was Catholic myself once,
but confession made me jumpy.
Ha!
I tried them all, but I never
did try to find Moses.
Tell you the truth,
I don't know very many Jews.
This guy tried to shove
Brigham Young on my ass once.
Go left at Clayton.
That's... well,
that's Dogtown.
That's what they call it.
Go left here.
Turn... turn left!
[Horn honks]
- You're drunk.
- I'm all right.
No. You're drunk.
- OK. Turn again.
- Where?
Right here!
[Tires screech]
God!
Ha ha ha!
I love him.
That's a drunk
driving the drunk.
[Key-alert chimes]
I just can't...
ha ha ha!
Ha ha ha!
Ha ha ha!
Come on, beautiful.
Let me fix you some coffee.
You're too drunk to drive.
- I'm all right.
- No. Come on.
Come on.
Ha ha ha! Ohhh.
Don't slip on the Astroturf.
Ha ha ha!
NORA: Make yourself at home.
[Glass breaks]
MAX: What exactly is there
between you and Marilyn Monroe?
NORA: Oh, she's just
so fucked up and glamorous...
and losing and fighting
all the time, you know?
I seen all her movies
at least five times,
and also my name is Nora Baker,
and her real name
is Norma Jean Baker.
Get it?
How about that coffee?
How about it?
Could have sworn I had me
a full can of Maxwell House.
There's no coffee?
Why don't I fix you
a drink instead?
MAX: A drink?
No. I'm trying to get my ass
home in one piece.
If you can't drive,
you might as well drink, right?
How can you be out of coffee?
This couch opens up into a bed.
- I'm not staying here.
- I'll wake you up early.
No. I'm not going to sleep here.
What do you want to do?
You want to call a taxi
and come back in the morning?
Do you have a bathroom?
Hi.
I don't feel very well.
I think I might just
lie down for a moment.
Poor baby.
Janey.
You're so beautiful.
More?
Yes.
Say please.
Please.
[Buzzing]
NORA: Find anything interesting?
I hope you had a good time.
You needed it.
Will I see you again?
No.
NORA: For a minute there,
I really did think...
you were just going
to up and surprise me.
[Beep]
Hello, Max.
This is your mother.
[Tape fast forwards]
[Beep]
NEIL: Hey, partner,
sorry about the lecture.
I was way out of line.
Where the hell are you?
You didn't jump
off a bridge, did you?
Call me. I promise not to
make you screw anybody.
MAX: Ha ha ha!
[Beep]
Hello, Max.
It's Heidi Solomon.
I'm taking a chance here,
but, uh...
I've got an extra ticket
to the symphony tonight.
It's all Schumann,
and I'd love for you
to join me if you're free.
Maxie, it's Neil.
Don't forget the burgers, pal.
Corner of Olive and 18th.
It'll be ready at 7:30.
Yee-hah!
[Beep beep beep]
[Telephone rings]
[Ring]
[Beep]
Hello. It's your mother.
Don't forget tomorrow
we visit Janey.
You'll pick me up
at the store at : .
Hello?
[Door closes]
Hello?
MAN: All right!
[Music playing]
Max!
Ha ha ha!
Max! Max is here!
White Palace burgers!
Hi. What are you drinking?
Soda.
It's a bachelor party.
I'm getting married.
Oh! Oh!
WOMAN: Hey, what about me?
I want one.
Aah!
Hey, Max, some of these boxes
are empty, man.
What?
Son of a bitch.
Look at this.
I got three... four of them.
How could they be empty?
What's that? Five?
I got six, six empty boxes.
Shit. I should've
counted them. Sorry.
Come on.
It's a -cent burger.
I'm going back.
You want burgers or money?
- Are you crazy?
- What's he talking about?
What's the matter with you?
We're having a party!
We've been crapped on, Neil.
What is the trouble?
The trouble is you don't
give a damn about principle.
Are you kidding?
I'm a lawyer.
MAN: Hey! Hey! Hey!
- Excuse me.
- End of the line's over there.
- I'm not buying anything.
- Get in line, Fred.
Look inside the sack, please.
When it's your turn.
$ . .
I don't think
I need to get in line.
I already was in line.
I bought 50 burgers.
You only gave me 44
so I don't think
I have to wait.
- Is that so?
- That is so.
Look. Six empties.
I want my money back.
And how do I know you didn't
gobble up those burgers?
Because I don't gobble
and I don't lie.
You gave me six empty boxes.
I bought 50 burgers.
You gave me .
Do I get my money back
or go to the manager?
Smell the boxes. Here.
If there had been
White Palaces inside,
the boxes would stink,
wouldn't they?
Honey, my nose is so full
of White Palaces,
I couldn't smell one
shoved in my face.
Yo, buddy, I'd like
to get my hamburgers.
Will you leave
Mr. Astaire alone?
He's trying to report
a robbery here.
Thank you.
Next.
Whoa!
Are you Jewish?
I'm just guessing.
Hey! It's Honest Abe!
I got the money back, Neil.
You'll need it for therapy.
You're a nutcase.
Ladies and gentlemen,
may I introduce...
the future Mrs. Neil Horowitz?
Yay!
Ow!
Damn. She is fat.
She is always
going to be fat,
but she's
a very sweet woman.
Oh! Max, look.
It's you.
Hey, Max with the fiddle.
You were good, man.
You were good.
Max!
It's the fiddler.
Oh, Stravinsky.
What's next?
Who is that?
Is that Margie Brown?
NEIL: No. It's Janey.
Look how young she is.
When did you start going out
with her? Kindergarten?
Something like that. Yeah.
NEIL: She was beautiful.
Klugman, what else you got
back there, huh?
Larry.
Come on. Come on!
LARRY: It's stuck.
Give me a second.
Could somebody flip
the light switch?
NEIL: Max, have
another scotch, buddy.
Let's see.
Who wants another one?
You're turning into the crazy
old woman from Dickens,
the one who sits around
in her wedding dress
cherishing
her fucking grief.
Havisham.
Yeah. That's who
you're turning into.
When's the last time
you had a date?
What if I told you...
I wasn't interested
in getting laid right now?
Interest in getting laid
is the human condition,
for Christ's sakes, Max.
It's all around you.
Heidi Solomon.
Oh, please.
She salivates
over you every day.
Rita Fishman... she's gorgeous.
She would sleep...
If I choose
to be celibate,
that's not your business.
This isn't celibacy
we're talking about.
It's fucking necrophilia.
Good night, Neil.
- Great party.
- Yeah. Thanks. Thanks, Max.
You're feeling sorry
for yourself.
Makes me want to puke!
Blah-ha hah!
Whoa ho!
WOMAN: Ha ha ha!
Ha ha ha!
WOMAN: Wait a minute.
Aah! Ha ha!
MAN SINGING:
What would it take
to make you mine?
Ivory towers of wine
A rugged movie star
that looks so fine?
You know they're really
hard to find
What would it take
to make you mine?
I'd stay home all the time
Give you everything that's mine
Even though I'm paying on time
What would it take
To make
You mine?
MAX: Chivas and a splash.
MAN SINGING:
...to make you mine?
A condo in a sunny clime
Compatible astrology signs
Or sitting round gettin' high?
What would it take
to make you mine?
Champagne breakfast at :
Pumped up all of the time
Or simply just sayin' that I'd
Like to make you mine
All mine
All mine?
Some coincidence, huh?
What?
I'll give you a hint, Fred.
I ain't exactly Ginger Rogers.
Oh, no.
Oh, no, huh?
Yeah.
Oh, no, what? Huh?
I don't know.
Just oh, no.
What are you doing
in a dump like this?
You looking for trouble?
I'm having a drink.
Cigarette?
No, thank you.
I know, I know.
Smoking will kill me.
That's right.
Mmm. Well, come on.
Lecture me.
I love it. Come on.
I don't lecture.
Fred, I bet
you lecture everybody.
Yeah? Not tonight.
Good. How about another drink?
Jimmy, vodka tonic and...
- I don't want another drink.
- Scotch for my new friend here.
- What's your name?
- I don't want another drink.
Come on.
Let me buy you a drink.
Let's pass a peace pipe.
Come on. Huh?
I'm buying.
- Thanks, Jimmy.
- No, no. I got...
- I'm paying for it.
- I don't want you to.
- I am buying you a drink.
- Here. For both of them.
Please. All right. OK.
Look at you.
You're so cute.
You're all tensed up
like a ticklish little kid.
Damn. You are beautiful.
Look at that face.
Jimmy, is this
a beautiful face?
Anybody ever tell you
you look like Tony Curtis?
- All the time.
- Ha ha!
Hmm...
I had a wonderful dream.
I was sorting your shells
and mixing your cocktails.
When I woke up, I wanted to
swim right back to you.
"Some Like It Hot."
Did you ever see it?
- It's not a tough question.
- No, no.
- Marilyn Monroe.
- Yeah, I saw that.
God, she's something. Mmm.
MAX: Yeah. She is.
You swim?
Do I swim?
Yeah. You look like you swim.
I mean, you're not
real muscular,
but you're strong,
am I right?
I think you're drunk.
Yeah. If I get any drunker,
I'll fall all over you.
So...
What's with the monkey suit?
You a chauffeur?
Oh, no.
I was at a bachelor party.
Yours?
No.
Did you have a naked girl?
MAX: A dozen of them.
You got a wife?
Uh-uh.
No, I don't.
You're not sure?
I don't have a wife.
But you did
have one, right?
Yeah, that's r... yeah.
That's correct.
She leave you?
Is that how come you're so sad?
I'm not sad.
You're feeling
sorry for yourself.
Do you mind if we
change the subject?
Hi, Tony.
Hi, Fred.
Come on.
Tell me your name.
Mine's Nora.
Max.
Oh, that's cute.
What's your zip code? Hmm?
What kind of soap does
your wife use?
Maybe you should take
your hand off my thigh.
My hand's not on your thigh.
Night.
Sorry about your lady
dumping you.
- She didn't exactly dump me.
- What did she do, then?
She died.
Died?
You mean died?
Yeah.
That's a new one.
How did she do that?
Car turned over.
Ha ha ha!
Oh, I'm s...
I'm sorry. I just...
I can't help it.
That's all right.
I don't know
why I'm laughing.
Your wife died.
Maybe nobody ever
died on you before.
No. Charlie died.
Charlie? What?
Is that your doggie?
No.
Charlie... my kid.
Your kid?
I know, I know. I know.
How'd he die?
Leukemia.
What can you do?
The world spins around.
I'm sorry.
It's over...
right?
Right.
Good night.
MAN SINGING:
This good-hearted woman
She loves her good-timin' man
Drive me home.
I'll fix you a cup of coffee.
Actually, I missed the bus.
I don't live too far from here.
Come on. You don't
want me to take a taxi.
- Don't smoke in the car, OK?
- Deal.
Put your seat belt on.
It's all right. Hold on.
You're a cautious little doggie.
[Operatic aria playing]
What's that?
That is the most beautiful music
in the world.
You got any Oak Ridge Boys?
No. I'm afraid not.
What are you?
Are you Italian or something?
I'm Jewish.
Jewish?
Ha!
Interesting people... Jews.
I was Catholic myself once,
but confession made me jumpy.
Ha!
I tried them all, but I never
did try to find Moses.
Tell you the truth,
I don't know very many Jews.
This guy tried to shove
Brigham Young on my ass once.
Go left at Clayton.
That's... well,
that's Dogtown.
That's what they call it.
Go left here.
Turn... turn left!
[Horn honks]
- You're drunk.
- I'm all right.
No. You're drunk.
- OK. Turn again.
- Where?
Right here!
[Tires screech]
God!
Ha ha ha!
I love him.
That's a drunk
driving the drunk.
[Key-alert chimes]
I just can't...
ha ha ha!
Ha ha ha!
Ha ha ha!
Come on, beautiful.
Let me fix you some coffee.
You're too drunk to drive.
- I'm all right.
- No. Come on.
Come on.
Ha ha ha! Ohhh.
Don't slip on the Astroturf.
Ha ha ha!
NORA: Make yourself at home.
[Glass breaks]
MAX: What exactly is there
between you and Marilyn Monroe?
NORA: Oh, she's just
so fucked up and glamorous...
and losing and fighting
all the time, you know?
I seen all her movies
at least five times,
and also my name is Nora Baker,
and her real name
is Norma Jean Baker.
Get it?
How about that coffee?
How about it?
Could have sworn I had me
a full can of Maxwell House.
There's no coffee?
Why don't I fix you
a drink instead?
MAX: A drink?
No. I'm trying to get my ass
home in one piece.
If you can't drive,
you might as well drink, right?
How can you be out of coffee?
This couch opens up into a bed.
- I'm not staying here.
- I'll wake you up early.
No. I'm not going to sleep here.
What do you want to do?
You want to call a taxi
and come back in the morning?
Do you have a bathroom?
Hi.
I don't feel very well.
I think I might just
lie down for a moment.
Poor baby.
Janey.
You're so beautiful.
More?
Yes.
Say please.
Please.
[Buzzing]
NORA: Find anything interesting?
I hope you had a good time.
You needed it.
Will I see you again?
No.
NORA: For a minute there,
I really did think...
you were just going
to up and surprise me.
[Beep]
Hello, Max.
This is your mother.
[Tape fast forwards]
[Beep]
NEIL: Hey, partner,
sorry about the lecture.
I was way out of line.
Where the hell are you?
You didn't jump
off a bridge, did you?
Call me. I promise not to
make you screw anybody.
MAX: Ha ha ha!
[Beep]
Hello, Max.
It's Heidi Solomon.
I'm taking a chance here,
but, uh...
I've got an extra ticket
to the symphony tonight.
It's all Schumann,
and I'd love for you
to join me if you're free.
8 ) 每种爱都不同
昨晚看完了挑情六月花。之前看了一半儿，就评价渣女vs乖乖男，太简单粗暴了。这也不是情色电影，看激情戏的绕行。重新评价，只看人。评五分，给这样好的故事，在流行“网红脸”的年代，看到每种爱，都不同。 一个中产阶级的年轻男人沉浸在丧妻之痛，他活得很清醒，很紧绷，少几个汉堡🍔 也要跑回去要钱（此处对比朋友对汉堡的态度，无所谓）。在朋友的单身派对上，在派对上也只是喝苏打水。他的生活，被一种持续的，又无力的伤害所填满，妻子的死让他无法释怀，被痛苦裹挟着。 派对上，看到妻子的照片突然失神，晚上去酒吧喝酒，心情可想而知。酒吧的酒，可以让他迷离放松片刻。这个中年女人的出现，可以说是挤进了他的视野，赖着他。开始他很抗拒，不知道从某刻开始，也许这个女人也有丧失挚爱之痛，也许是撞了邮筒后她的笑声。撞车后的沉重（妻子死于车祸），朦朦胧胧的酒精作用下，被某种欢快的笑声取代（活泼洒脱），融化了他内心的坚冰。这样的成熟女子，再加上床上的热情，似乎被删减了，自行脑补。 妻子死后，他有一万个痛苦封闭自己，对生活的对抗来保护自己，他是这样的男人，干净，理性，内敛，柔软，紧绷，高素质。他不会主动接受女人，不会主动跟女人上床。所以这样莫名其妙闯进他床上的女人，使他对自己可以无负罪感，不经意打破了禁锢。第二天看到女人，下班时跟朋友大声地谈笑，他，开始迷恋她。 女人，本就是一夜风流，喜欢就引诱，就主动。男主回来找她，她的心有些松动。她很清醒，不是一路人。 男人送她吸尘器，她感觉到了冒犯。她不是那种主动迎合男人的。就像她勾引男主一样，她必须拿到主动权。你送吸尘器给我，不可以（她不讨好）。我主动清洁屋子变得更好，是我的事儿（她主动向好）。你只要把我当个女人，送我鲜花，示爱。她不会因为年龄身份的差距而感激涕零，她跟谁在一起她都是女主人。 她在男人朋友的聚会上，在厕所的对话，很真实。发言很真实，尽管她对自己的状况有些自惭形愧的不安。但是她是独立的，自由的，真实的，不依附的。女人很敏感，也许是40多岁的智慧，成熟，坚韧，勇敢。她尊重自己的选择，她进入男主角生活，她看到男人的尴尬，她主动选择离开。 结局，有点浪漫主义色彩，现实，阻力很大，人，改变很难。男人放弃与选择，是追求自由的开始。不得不说这个女人非常有魅力，不卑不亢，乐观豁达，积极主动，真实自由，作为女人，我表示欣赏。生活太沉重，终年必定是死亡和离别，我们要允许自己一路快乐，做自己的主人。
再没见过比James Spader更适合女上位的男主角，以及地毯卷边都不能忍受的龟毛性格。
这姐弟恋谈得，太暖了，结局太猛了。两位美人儿。 从《性、谎言和录像带》到这部，James Spader给我的感觉就是一朵忧郁的小甜心，还美得要命，太迷人！
“当鞋子合适的时候，脚被忘却了；当腰带合适的时候，腹部被忘却了；当心灵正确的时候，‘赞同’与‘反’都被忘却了”。——奥修《当鞋合脚时》
其实是个挺有趣有质感的主流爱情片 两个主演表现很好 年轻的James spader好看到逆天啊。。。。为了弥补这个八杆子打不着不着四六的纯搅和的傻逼译名给电影带来的伤害给5星。人家明明叫White palace。。。
Nora一个粗俗，野蛮的中年女人，我真的理解不了他们之间的爱情，最初的相互生理满足是他们在一起的原因，我也只能想到这个原因。电影确实是造梦机器，不过这个中年离异失独女人的春梦造的太假，不感人，也毫无逻辑可言。重点也是女主真的丝毫不讨人喜欢
这个故事做得非常非常精细，堪称对90年代美国中产的一个精妙侧写。Max爱Nora的原因开头几笔就写明了：小城犹太人、乖孩子中产、母亲极富控制欲有强迫症（单亲），青梅竹马的妻子如果没有猝死，他一生就这样循规蹈矩地交待了。可是妻子离世后，来自另一个阶级的Nora却给了沉溺在痛苦中的他一个机会，她的直率和毫不掩饰让Max最终明白了自身的真实需求——Max其实是个慵懒性感的宅男，不喜欢刻板的“美国梦”——小城中产那套让他厌烦得要死，所以最后他和女主去纽约（大城市更包容）了。另外，我才意识到，JS长了张文艺复兴时天使的脸，金色长睫毛覆盖着忧伤恭顺的眼，放到意大利湿壁画里毫不违和，但又配了一个极为有力和肉感的下巴，还有强健干净的躯体，这男人能从天真羞怯忧伤直接切换到肉欲上去，也是百年难遇的极品。
伪装成情色片的真挚细腻诚意之作
简直就是童话好嘛！27岁和44岁~james的眼神真是大杀器。
萨兰登你是上辈子修了什么福啊？？部部老少配。
张小娴:女人到底想要什么?答案还不简单吗?无论她看起来想要什么,她想要的终归只有两样东西:很多的爱和很多的安全感
重点是James的情欲戏~！这家伙确实是情欲戏高手啊~~一场Blow job被他演的好像天使被引诱堕天一样~~
有James Spader的片子光是养眼分就可以给五星，但剧情太简单扣一星 。金睫毛妖孽大叔 James Spader，从没见过能把普通的上班装穿得那么性感的男人 。 叔年轻的时候就是个耀目靓仔 ， 长得像Tony Curtis 。Susan阿姨你不仅仅是吃了嫩草， 还是长在仙岛上最得天地厚最水嫩的那株。
温暖的姐弟恋爱情，演技赞，腐情调赞，最感动人的是他们相爱的勇气。真是那样，鞋合不合适，只有自己知道。旁观者有热闹看应该心怀感恩，不能指手画脚了。
抛开限制级的部分就完全是时下全东亚流行的大龄三无女钓到年轻高富帅的剧情；男主的宅男属性决定了他需要一个擅长室内运动的伴侣，什么社交活动who cares；Younger Men一曲道破了女青年到女中年的审美转变，人艰不拆好吗……
男主角的眼睛总有些朦胧的美感，看介绍才知道他是个大近视眼，呵呵。
一个好男人和一个好女人用不太平常的方式相爱。话说回来，女人无论多刚强独立还是弱体，毕竟这个世界是男权的。所以，一旦相爱年龄不成问题。
Max Baron 是那样的迷人...他就象一杯酒让人越看越醉.他安静,沉稳,内敛而不乏激情.虽然这是一个老套的故事,然而正是这样老套的故事让我们感觉真切.最后的结局让人会心一笑,心存感动.
应该算是姐弟恋作品中最酷的一部，93年的日剧《爱无谎言》就是抄袭的这个片子。水葱嫩的詹姆斯.斯派德后来就一直以拍情色片为已任，而苏珊.萨兰登则是唯一一位我认为无法用“女王”来概括的尖刀型女演员，她更像彪悍的女巫。
可喜欢这个结局。没有狗血的上层社会的接受容纳，而是勇于面对真实的自己。It's not you that I'm ashamed of, it's me I'm ashamed of. 【彼时的斯大人简直太美艳了！
这部我收藏了十五年的电影，最近终于断断续续分了四五次看完了。怎么讲呢？女主是不是自卑的摩羯女啊。感觉情商什么的都不在线。感情戏码扯到阶级不对等就没意思了，反正如果我年轻的时候看这部电影可能处于荷尔蒙作祟会给上四颗星，但是准中年的我只能给一颗心了。并没有让我勃起，谢谢。