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更新时间：2024-04-11 05:58
详细剧情
简（德丽·海明威 Dree Hemingway 饰）是一名二十一岁的妙龄少女，心中怀揣着成为演员的梦想，她来到了位于加州的圣费尔南多谷。可是，成为演员哪里是这么简单的事？没过多久，简便和大多数来此打拼的女孩一样，默默无名并且身无分文。在简的生活圈里来往的，大多数是不靠谱的朋友们，而其中最值得信赖的，竟然是她那只名叫斯嘉丽的吉娃娃狗。 在老太太桑迪（贝塞德卡·约翰森 Besedka Johnson 饰）家举办的跳蚤市场上，简偶然发现了一个塞着一大捆钞票的老古董，这巨额的财产让囊中羞涩的简无法不在意，她打起了这笔巨款的主意，为此她开始特意的接近桑迪。没想到，简的这一举动彻底的改变了她的生活。
长篇影评
1 ) 人性，陌生人的关爱
在影片后面，Sadie在知晓Jane的秘密之后，亦然愿意与Jane一起前往巴黎，但要求先去一趟亡夫的墓园，这次她让Jane代替她去献花，意在让Jane发现Sadie亡夫旁边的墓碑——Sadie的女儿（1951-1969），她从来不曾向Jane提及她有一个十八岁就早逝的女儿。（影片前半段，Jane在Sadie的花园时一起喝咖啡时，曾问过Sadie最喜欢哪种花，Sadie答道“morningglory”，牵牛花，贴心的字幕也补充到，牵牛花象征朝开午谢，短寿，联想到结尾是意指自己早逝的女儿，想来这样的暗示很多，导演与编剧也是花费了一番心思。）
而Jane转过身回头向Sadie的方向望去，她亦明白了一切：老太太当初为什么那么抗拒难以靠近的原因。前面还有一幕就是当Jane寄放在Sadie家的狗走失后，Sadie寻找时那种绝望与无助，以及将小狗归还给Jane时试图将她们撵出她的世界她的生活，她经历过丧夫丧女之痛，已经无法承受任何形式的失去了，不曾拥有就不会害怕失去，不是吗？
最后的镜头给了太多让我们可以遐想的东西，她们之间已经建立了一种类似母女的感情，这种感情让Sadie原谅了Jane并重拾行李一起去巴黎，像每个父母原谅子女一样，而Jane也得到了无法从母亲那里得到的东西。
末了，影片作者希望每个人都要有人性，都能在这种社会背景下仍然保持着一颗善心。
而Jane转过身回头向Sadie的方向望去，她亦明白了一切：老太太当初为什么那么抗拒难以靠近的原因。前面还有一幕就是当Jane寄放在Sadie家的狗走失后，Sadie寻找时那种绝望与无助，以及将小狗归还给Jane时试图将她们撵出她的世界她的生活，她经历过丧夫丧女之痛，已经无法承受任何形式的失去了，不曾拥有就不会害怕失去，不是吗？
最后的镜头给了太多让我们可以遐想的东西，她们之间已经建立了一种类似母女的感情，这种感情让Sadie原谅了Jane并重拾行李一起去巴黎，像每个父母原谅子女一样，而Jane也得到了无法从母亲那里得到的东西。
末了，影片作者希望每个人都要有人性，都能在这种社会背景下仍然保持着一颗善心。
2 ) 谢谢你的成全
一个老妪和一个女青年的人生，在命运的奇妙安排下产生了交集，在艰难崎岖的沟通过程中，实现了各自的成全。
她（Sadie）是个独居的老妇，个性顽固，没有朋友，过着枯燥简单重复的生活。习惯性的三餐，购物，娱乐活动也只是每周六去玩简单的赌博游戏bingo。
她（Jane）是个生活拮据而又做着明星梦的女青年，有一个吸毒成瘾的妈妈。她和朋友，朋友的男友合住在一间公寓里，想要改造一下卧室却没钱买新家具，只能去淘一些旧货。在Sadie卖出的旧暖水瓶里，她发现了一万块，她不安又兴奋，瞒着朋友偷偷地把钱藏好，去做了指甲（吐槽一下美帝人工费真惊人，做个指甲460刀），给狗狗买了漂亮的配饰。她旁敲侧击的咨询她的朋友，如果遇到这种事要怎么做。朋友的看法是，确认这笔钱对失主是不是非常重要。她特意去接近Sadie，故意打发走等待Sadie的计程车，然后邀请Sadie“搭顺风车”，她跑到她周六玩bingo的地点玩只有老年人才热衷的无聊游戏。结果被Sadie当做是骗子，惨遭防狼喷雾的蹂躏。从警察那得知她只是“出于好心”后，Sadie逐渐打开了心门，接受了她接送超市的便车。通过交谈得知，Sadie的赌徒丈夫去世了，也没有儿女，暖水瓶里的钱应该是赌徒丈夫之前藏匿其中的，但老妇并不知情。通过一段时间的接触，两个人逐渐产生了信任与微妙的感情。Jane更加了解了Sadie的过去，她甚至带Sadie去公墓祭奠亡夫，去Sadie第一次和丈夫见面的动物园。而Sadie依然固执，敏感，从她注销了驾照和对其他老人驾车闯祸的描述，可以看出她对于余生并无希冀，早已认输服老。在一次Jane被超市保安因停车问题驱赶后，购物回来的Sadie没有等到Jane，以为Jane抛下了她，想要走回家里。当时她的心里，一定是充满了伤感，以为她的人生又一次的枯萎了，如同她布满皱纹的脸庞，刚刚建立的存在感被消除殆尽。Jane驱车追上了她，说道“你真的以为我会抛下你吗？”也许是她感受到了Sadie心里的变化，Jane握住了Sadie枯瘦的手，Sadie的心里，一定非常的温暖。
Jane的合租朋友因为工资问题和老板大吵，让Jane过去帮忙理论。通过这个机会，Jane的朋友认识了同车的Sadie，Jane和朋友的工作也在随后暴露大吉，原来Jane和合租朋友都是成人片的女主，这会儿有一段露骨的拍摄过程。虽然不露也能交代清楚，但直接的视觉刺激应该会让观众更加震撼，这份工作既解释了为什么Jane会有那么多空余时间，又形成了一个强大的心理落差，毕竟这是一个敏感的工作，两个完全完全不同世界的人，互相信任是多么多么的不易！之前有个小小的伏笔，Jane和Sadie一起吃冰淇淋的时候，有两个男人隔着透明玻璃墙认出了她，她还做出了香艳的舔吸动作挑逗那两个男人。对于她们的工作室，Jane对Sadie的解释是，“你可以理解为一个临时中介。”
Jane因为工作的原因（参加成人展），没时间照顾狗狗，她把狗狗托付给Sadie。不听话的狗狗走失了，Sadie急的要发疯了，她不能辜负Jane的信任，她四处打听询问，终于在Jane回来前找到了狗狗。但她的心和身体都疲惫不堪，她无法承受这一切，她宁愿回复到以前平淡无味，回到对年老的无可奈何与认输的生活，她无法承受任何失去了。她呵斥Jane离开，Jane一头雾水却无可奈何。想到Sadie曾对她说，她对巴黎有独特的情怀却从来没有去过，Jane用那笔“不义之财”的大部分预定了去巴黎的机票，冲到Sadie玩bingo的场所，极力邀请。Sadie拒绝了，如同她过去的bingo游戏经历，她一直输，她认输了，如同对待生活。但Jane没有放弃，她要和Sadie打一个赌，如果她能在这局bingo中赢的话，Sadie就要和她同去巴黎。Jane购买了所有的表格，理论来说，只要她够快，就可以bingo。没想到先bingo的却是Sadie。Sadie开心地大叫，仿佛这一次胜利驱散了过去阴霾和失败的人生。尽管Jane没有赢得赌局，Sadie却同意了去巴黎的邀请，这应该是Jane的真诚与热情，感动鼓舞了她吧。
剧情再度转折，Jane的朋友发现了这笔意外之财，她认为Jane应该与她，这个最好的朋友分享。但Jane却要和她口中的老婊子同去巴黎，愤怒的她找到Sadie，告诉她，Jane之所以对你好是因为她通过你不知道的方式得到了你的钱，对你有愧疚感。Sadie的表情并不强烈，她只是把本来和Jane一起挑选的，要去巴黎穿的衣服拿出来，丢到衣柜里，但她内心的情感变化，想必非常剧烈。就如同上次在超市门口没有等到Jane一 样，她感到自己再一次被抛弃了，这次更加彻底，痛苦。看到这里我就在猜编剧会怎么安排，Sadie是会消失？痛斥Jane？他选择了理解与原谅。
来接Sadie去机场的Jane也发现了她的不寻常，虽然Jane还不知道发生了什么，她几次询问Sadie是否ok，Sadie只是让拜托Jane去公墓给逝去的老公送花。这一次，Sadie没有亲自前往，而是借口你更快一些，委托Jane过去。这里，Jane在墓碑上发现，Sadie曾经有一个夭折的女儿，影片在此结束。
整个片子节奏平缓，但几处情感的波折都能打动人心，不同世界的两个人如何褪去坚硬的保护外壳，逐渐走进对方内心，互相理解，互相取暖。缺失母爱的Jane生活拮据但充满了梦想，她善良，热爱自己的工作，幻想着某一天能成为明星，她从Sadie处找到了家人的感觉，重新找到一个女儿的身份。在千篇一律的乏味生活中等待死亡的Sadie则在Jane这里重新建立了与其他人的联系与存在感，唤起了生活的热情与希望，点燃了久已熄灭的梦想，也像一个母亲。也许她们都想对对方说一 句，谢谢你的成全。
她（Sadie）是个独居的老妇，个性顽固，没有朋友，过着枯燥简单重复的生活。习惯性的三餐，购物，娱乐活动也只是每周六去玩简单的赌博游戏bingo。
她（Jane）是个生活拮据而又做着明星梦的女青年，有一个吸毒成瘾的妈妈。她和朋友，朋友的男友合住在一间公寓里，想要改造一下卧室却没钱买新家具，只能去淘一些旧货。在Sadie卖出的旧暖水瓶里，她发现了一万块，她不安又兴奋，瞒着朋友偷偷地把钱藏好，去做了指甲（吐槽一下美帝人工费真惊人，做个指甲460刀），给狗狗买了漂亮的配饰。她旁敲侧击的咨询她的朋友，如果遇到这种事要怎么做。朋友的看法是，确认这笔钱对失主是不是非常重要。她特意去接近Sadie，故意打发走等待Sadie的计程车，然后邀请Sadie“搭顺风车”，她跑到她周六玩bingo的地点玩只有老年人才热衷的无聊游戏。结果被Sadie当做是骗子，惨遭防狼喷雾的蹂躏。从警察那得知她只是“出于好心”后，Sadie逐渐打开了心门，接受了她接送超市的便车。通过交谈得知，Sadie的赌徒丈夫去世了，也没有儿女，暖水瓶里的钱应该是赌徒丈夫之前藏匿其中的，但老妇并不知情。通过一段时间的接触，两个人逐渐产生了信任与微妙的感情。Jane更加了解了Sadie的过去，她甚至带Sadie去公墓祭奠亡夫，去Sadie第一次和丈夫见面的动物园。而Sadie依然固执，敏感，从她注销了驾照和对其他老人驾车闯祸的描述，可以看出她对于余生并无希冀，早已认输服老。在一次Jane被超市保安因停车问题驱赶后，购物回来的Sadie没有等到Jane，以为Jane抛下了她，想要走回家里。当时她的心里，一定是充满了伤感，以为她的人生又一次的枯萎了，如同她布满皱纹的脸庞，刚刚建立的存在感被消除殆尽。Jane驱车追上了她，说道“你真的以为我会抛下你吗？”也许是她感受到了Sadie心里的变化，Jane握住了Sadie枯瘦的手，Sadie的心里，一定非常的温暖。
Jane的合租朋友因为工资问题和老板大吵，让Jane过去帮忙理论。通过这个机会，Jane的朋友认识了同车的Sadie，Jane和朋友的工作也在随后暴露大吉，原来Jane和合租朋友都是成人片的女主，这会儿有一段露骨的拍摄过程。虽然不露也能交代清楚，但直接的视觉刺激应该会让观众更加震撼，这份工作既解释了为什么Jane会有那么多空余时间，又形成了一个强大的心理落差，毕竟这是一个敏感的工作，两个完全完全不同世界的人，互相信任是多么多么的不易！之前有个小小的伏笔，Jane和Sadie一起吃冰淇淋的时候，有两个男人隔着透明玻璃墙认出了她，她还做出了香艳的舔吸动作挑逗那两个男人。对于她们的工作室，Jane对Sadie的解释是，“你可以理解为一个临时中介。”
Jane因为工作的原因（参加成人展），没时间照顾狗狗，她把狗狗托付给Sadie。不听话的狗狗走失了，Sadie急的要发疯了，她不能辜负Jane的信任，她四处打听询问，终于在Jane回来前找到了狗狗。但她的心和身体都疲惫不堪，她无法承受这一切，她宁愿回复到以前平淡无味，回到对年老的无可奈何与认输的生活，她无法承受任何失去了。她呵斥Jane离开，Jane一头雾水却无可奈何。想到Sadie曾对她说，她对巴黎有独特的情怀却从来没有去过，Jane用那笔“不义之财”的大部分预定了去巴黎的机票，冲到Sadie玩bingo的场所，极力邀请。Sadie拒绝了，如同她过去的bingo游戏经历，她一直输，她认输了，如同对待生活。但Jane没有放弃，她要和Sadie打一个赌，如果她能在这局bingo中赢的话，Sadie就要和她同去巴黎。Jane购买了所有的表格，理论来说，只要她够快，就可以bingo。没想到先bingo的却是Sadie。Sadie开心地大叫，仿佛这一次胜利驱散了过去阴霾和失败的人生。尽管Jane没有赢得赌局，Sadie却同意了去巴黎的邀请，这应该是Jane的真诚与热情，感动鼓舞了她吧。
剧情再度转折，Jane的朋友发现了这笔意外之财，她认为Jane应该与她，这个最好的朋友分享。但Jane却要和她口中的老婊子同去巴黎，愤怒的她找到Sadie，告诉她，Jane之所以对你好是因为她通过你不知道的方式得到了你的钱，对你有愧疚感。Sadie的表情并不强烈，她只是把本来和Jane一起挑选的，要去巴黎穿的衣服拿出来，丢到衣柜里，但她内心的情感变化，想必非常剧烈。就如同上次在超市门口没有等到Jane一 样，她感到自己再一次被抛弃了，这次更加彻底，痛苦。看到这里我就在猜编剧会怎么安排，Sadie是会消失？痛斥Jane？他选择了理解与原谅。
来接Sadie去机场的Jane也发现了她的不寻常，虽然Jane还不知道发生了什么，她几次询问Sadie是否ok，Sadie只是让拜托Jane去公墓给逝去的老公送花。这一次，Sadie没有亲自前往，而是借口你更快一些，委托Jane过去。这里，Jane在墓碑上发现，Sadie曾经有一个夭折的女儿，影片在此结束。
整个片子节奏平缓，但几处情感的波折都能打动人心，不同世界的两个人如何褪去坚硬的保护外壳，逐渐走进对方内心，互相理解，互相取暖。缺失母爱的Jane生活拮据但充满了梦想，她善良，热爱自己的工作，幻想着某一天能成为明星，她从Sadie处找到了家人的感觉，重新找到一个女儿的身份。在千篇一律的乏味生活中等待死亡的Sadie则在Jane这里重新建立了与其他人的联系与存在感，唤起了生活的热情与希望，点燃了久已熄灭的梦想，也像一个母亲。也许她们都想对对方说一 句，谢谢你的成全。
3 ) 很久没看温情电影了必须说点什么
看这部电影的原因只是因为当时它在人人影视的首页，而且个人喜欢西方电影以人名（这部剧里面是女主狗狗的名字）或者普通名词来命名影片，虽然翻译成中文经常变成四字短语什么的，还以偏正短语居多== 往往更形象但是始终失去了原本简单到包含一切的感觉【当然只是个人看法，而且貌似扯得有点远。。
下面回到影片本身，之所以温情是因为描述的是独居老人Sadie和年轻女孩Jane的友情，虽然这段友谊刚开始的动机不纯：Jane买下了老人的旧水瓶，却惊讶地发现里面藏着的一万块钱，但她确实试着想还回去，而且试图在生活中做到补偿老人。刚开始，老人对她非常抵触，当然这也是人之常情，年纪轻轻的女孩整天跟在独居老太的背后还想办法搭讪这不是骗子是什么。个人认为两人真正的友情展现始于那次超市之行，Jane没能及时出现在约定地点，Sadie自己默默地往回走。后来找到Sadie的Jane在车上默默牵起了老人的手，想必那时候观众也都明白正如她所说的，Jane无论如何是不会丢下老人的，阳光洒下，这是我觉得影片里最温情的一瞬。
本以为两人的友谊就这么平淡地发展下去，但是朋友间照看宠物的行为却让Sadie产生了对失去的恐惧，可以说是再一次产生这种深深地恐惧。小狗意外的丢失，老人几近崩溃的寻找，这段看的我直流泪TTATT 联系到影片结尾，失去十八岁的女儿，又失去了丈夫，只剩自己孤身一人。如今这段友情她要不起，也承受不了Jane的托付，只是因为怕失去，而这，是她再也承受不了的。
影片的结尾我很喜欢，虽然愤怒的Melisa告知了老人所谓“真相”，而且在老人重新整理旅行箱的时候我确实有了“天哪！不会不去巴黎了吧！”的担忧，但是老人还是最终彻底敞开心扉，让Jane自己看了老人丈夫及女儿的墓碑【这段镜头先是让观众与Jane同样陷入迷惑。结尾导演并没有给出关于两个人的答案，但是当我看到这里时，心里留下的只有乐观。毕竟，友谊是同时滋润两个人的，一起经历的种种，真真假假，大概也只有当事人才能体会。
回头一想，无论是对于高龄独身的老人，还是拮据的年轻女孩，一万块真的不如一段真正的友谊来的珍贵。
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~·~
个人很喜欢影片中的人物塑造，真实，丰满。Jane确实是个女优，而且影片也完完全全不带掩饰地展示出来了，这是她的工作，也是整个人物的一部分。但这丝毫没有影响她内心的善良，她真实、立体、不容忽视。即使是有些自私、不可理喻的Melisa也有她脆弱，让人产生共鸣的一面。当她发现Jane藏起来的钱之后，我本以为“完了！她肯定要把这些统统花光了！”但是实际上，她还是把大部分的钱又放了回去，并且在心里默默期待其实Jane是拿她当真正的朋友，Jane内心也是希望把钱能花在她身上的，这种想法，也不免让人生出几分怜惜。。
下面回到影片本身，之所以温情是因为描述的是独居老人Sadie和年轻女孩Jane的友情，虽然这段友谊刚开始的动机不纯：Jane买下了老人的旧水瓶，却惊讶地发现里面藏着的一万块钱，但她确实试着想还回去，而且试图在生活中做到补偿老人。刚开始，老人对她非常抵触，当然这也是人之常情，年纪轻轻的女孩整天跟在独居老太的背后还想办法搭讪这不是骗子是什么。个人认为两人真正的友情展现始于那次超市之行，Jane没能及时出现在约定地点，Sadie自己默默地往回走。后来找到Sadie的Jane在车上默默牵起了老人的手，想必那时候观众也都明白正如她所说的，Jane无论如何是不会丢下老人的，阳光洒下，这是我觉得影片里最温情的一瞬。
本以为两人的友谊就这么平淡地发展下去，但是朋友间照看宠物的行为却让Sadie产生了对失去的恐惧，可以说是再一次产生这种深深地恐惧。小狗意外的丢失，老人几近崩溃的寻找，这段看的我直流泪TTATT 联系到影片结尾，失去十八岁的女儿，又失去了丈夫，只剩自己孤身一人。如今这段友情她要不起，也承受不了Jane的托付，只是因为怕失去，而这，是她再也承受不了的。
影片的结尾我很喜欢，虽然愤怒的Melisa告知了老人所谓“真相”，而且在老人重新整理旅行箱的时候我确实有了“天哪！不会不去巴黎了吧！”的担忧，但是老人还是最终彻底敞开心扉，让Jane自己看了老人丈夫及女儿的墓碑【这段镜头先是让观众与Jane同样陷入迷惑。结尾导演并没有给出关于两个人的答案，但是当我看到这里时，心里留下的只有乐观。毕竟，友谊是同时滋润两个人的，一起经历的种种，真真假假，大概也只有当事人才能体会。
回头一想，无论是对于高龄独身的老人，还是拮据的年轻女孩，一万块真的不如一段真正的友谊来的珍贵。
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~·~
个人很喜欢影片中的人物塑造，真实，丰满。Jane确实是个女优，而且影片也完完全全不带掩饰地展示出来了，这是她的工作，也是整个人物的一部分。但这丝毫没有影响她内心的善良，她真实、立体、不容忽视。即使是有些自私、不可理喻的Melisa也有她脆弱，让人产生共鸣的一面。当她发现Jane藏起来的钱之后，我本以为“完了！她肯定要把这些统统花光了！”但是实际上，她还是把大部分的钱又放了回去，并且在心里默默期待其实Jane是拿她当真正的朋友，Jane内心也是希望把钱能花在她身上的，这种想法，也不免让人生出几分怜惜。。
4 ) 一部值五星的好片子
好久没看到这么有温情的文艺片了，没有煽情、没有矫情，只是记录着日常生活，然而就是这样不知不觉中让你走进这段忘年交，情不自禁地代入到人物的心里去。每个角色都很真实、感觉就是身边会存在的一些人（身边倒是没有做AV这行的、哈哈哈）。不得不说演员都极赞。当然最爱的是女主，人美身材好演技又那么浑然天成，看的时候觉得她好眼熟，应该还演过其他片子的。也是看完又去看了影评才知道她竟然是海明威的孙女，厉害了！一头略微凌乱的金发，一双大长腿，真心好看啊，演技又这么了得，一定和她的外公海明威一样超有个性的。其他的还蛮喜欢那个女闺蜜的，演得够贱然而又好真实，大闹AV制片公司办公室的那场戏超有爆发力，感觉就是一个彪悍泼辣然而内心极度脆弱不安的bitch。当然还有老奶奶，特别是那场找狗的戏，简直了，那种害怕因此失去女主的绝望之情让人泪目。非常好看的电影，无论是人物设定还是故事情节。很幸运自己没有错过这样的片子。
5 ) 拍小电影的，一样有美丽的心灵
我的评分：7.2
影评：
女孩小美，从事着拍小电影的工作。一天买到一个旧暖瓶，没想到里边有1万美金，对于她来说是很大的财富，但是她的心有不安，想着钱的主人，如果很有钱就算了，如果很穷的话，这个钱对他来说太珍贵了。
她找到了卖旧暖瓶的那个老太太，然后陪着老太太玩儿，想探究老太太的生活，最终融入老太太的生活。老太太从开始的抗拒到后来的接受。影片最后，老太太带小美来到他丈夫的墓前，小美看到墓碑旁边有个18岁女儿的墓，在那之前她们聊天中从来不知道老太太还有个女儿，她好像明白了什么可能。
这是一个开放性的结局，没有说明，小美是否把钱给老太太，但相信小美与老太太之间会有一段美好的友情。
6 ) 最初的美好
“ Starlet”是小明星的意思，是女主Jane怀揣小梦想初到大城市保有的一点小愿望。她生活不易，却不苟且: 她善良于是寄养小狗；她热爱生活，于是添置家私；意外地得到一万美金却不挥霍, 否则开片10分钟就剧终了。 她不因得到不义之财就停工，而是继续自己的生活节奏。只是保有的内疚让她想把这笔钱拥有得更心安理得些，所以回去找Sadie确定她对这笔钱不知情，也想方设法尽力弥补。如果说最初的接触和帮助是为了还债，那么看到Sadie丈夫和女儿墓碑后，她会给这个脾气阴晴不定，瘦小倔强的老太太一个大大的拥抱，开始疼爱照顾她，挽手去看巴黎铁塔。 另一方，Sadie深知世上没有无缘无故的爱。如果说最初Jane接近她，让她有所警觉，那么得知真相后，她反而可以更坦然地面对Jane。这些日子的相处不是用钞票可以衡量的，况且钱财对Sadie毫无意义。如果说一万美金可以换来一个素不相识的女孩在你有限的生命里亲近你，进入你的生活，带你回忆过去，帮你完成梦想，给你死寂的生活带来一些动静，为什么要将她拒之门外呢？ 有的时候，真相不是那么重要，只要认准那份最初的美好就够了。
7 ) 转载女主角Dree Hemingway关于电影的访谈
很喜欢这部片子和Dree 转载访谈，帮助理解片子台前幕后，没看错av场面果然是替身然后剪得真不错。好有趣的制作过程耶，原来去参加色情业展会是真的，使用隐藏拍摄，很多人以为女主就是pornstar然后各种~~ 哈哈，不过no judgement也是棒棒哒。dree也聊到很多关于自己家族的事情，喜欢她的低调单纯，而且做出了一部好片子，这是我看她的第一部，很偶然找到的。翻译就不做了，我觉得最直接的理解是看原文，给几个关键词，有兴趣的自己理解。
body double 替身；improvisational 即兴的；scatterbrained
注意力不集中
The young actress talks to THR about her burgeoning acting career as well as how she copes with bearing the last name of one of the world's most famed writers.
正文
As much as she'd probably like to avoid it, the first line in Dree Hemingway's biography probably would note that she is the great-granddaughter of famed writer Ernest Hemingway and the daughter of actress Mariel Hemingway. But with a few more movies like Starlet, her first leading feature role, that just might change.
Hemingway, 25, plays Jane, a flighty, listless woman in her early 20s living in Los Angeles with her friend and the friend's boyfriend. She flits about through her days, smoking weed and shopping and taking her Chihuahua wherever she goes. She might seem like a low-rent Paris Hilton, but she has more depth than it appears at first glance.
Film Review: Starlet
When she buys a thermos for a dollar at a yard sale from an old woman, she finds $10,000 rolled up inside. After trying to return the thermos to the cantankerous octogenarian, who refuses, she decides to at least befriend the lonely widow, Sadie. This is easier said than done, though the two eventually form an odd relationship. It is one built partially on lies; Jane doesn't tell Sadie about the money, or the fact that she works as a porn actress -- something kept from the audience through much of the movie, as well.
THR recently spoke to Hemingway about the film and her famous bloodlines.
The Hollywood Reporter: What happened in your interview with director Sean Baker?
Dree Hemingway: I’m so passionate about this character, but a lot of it was how I perceived her and who I thought she was and to clarify if I’d do the porn scene. And really wanting to assure me that they’d use a body double and just wanting to make sure I’d be comfortable with the whole situation. And everything he was saying about the character was something I had thought of, and there were things that I wanted to bring, and it was really nice. And what really hooked it was the communication between us.
THR: So you weren’t uncomfortable with the porn thing?
Hemingway: I mean, it freaked me out, I’m not going to lie. I think I was so passionate about the whole story that it’s kind of something that it needed. It freaked me out, but also knowing that it wasn’t me was kind of OK for me -- although I’m not in denial that people are going to think it’s me because a lot of people don’t watch the end credits, and it’s really well cut. But as much as it scares me, and is such a scary thing to do, it’s such a neat film that I think that one ending scene is kind of the most perfect ending for any movie, and I just love it. … I’m not a huge fan of porn, but I really wanted to embrace the world from a different perspective, where it’s not a tragedy, it’s not coming from a tragic place.
VIDEO: Starlet Trailer
THR: How much of the film was improv?
Hemingway: Most of it was improvisational, to be honest. It was like, we were given some lines, and you always had to know where you were going to end up in the scene, but a lot of it was improvisational. A lot of it was scary in a way that you can’t really craft. But it’s actually one of the most fun things I’ve ever done. You really have to be present in the situation that you’re in because a lot of time you were working with real people, who didn’t know until they were done working with us that they were on film and working with actors.
THR: Which points were that?
Hemingway: The whole entire porn convention. We had a hidden camera. I had a hidden mic. People thought I was a real porn star at a real booth. All those people talking to me.
THR: So they were just big porn enthusiasts.
Hemingway: They all kept coming up to me and saying: “I really love your movies. I want to work with you.” And I was like, 'Let’s go!' It’s so weird and crazy. And all those people playing bingo, we just stood in the bingo hall.
THR: Was anyone upset about being caught on camera?
Hemingway: A lot of people at the porn convention were really upset that they were on camera. Some of them were like parents, and some of these guys were like, “I’m a schoolteacher.” And you’re like, OK. … But the thing is, there is no judgment on them because they are just the ones that have the balls to get their asses off the computer and go to an actual porn convention. Which I have to say is kind of hilarious and really fun.
THR: Really?
Hemingway: Yeah. It’s an adult amusement park.
THR: It’s like a Comic-Con but for porn.
Hemingway: Exactly! It’s just like Comic-Con. You get some whacked, crazy people, but it’s so much fun. I think if you come to it from a point of not taking it seriously -- a lot of these people go, and they’re there to see one porn star whom they’re obsessed with -- but if that’s not your basis, it is a fun time. It’s hilarious.
THR: What would you do if you found that money, in that situation?
Hemingway: Oh, I’m such a guilty person, I’d totally give it back.
THR: No hesitation?
Hemingway: I mean obviously, I think that part of me would want to keep it in a way because it’d be like, oh I found it, and it’s -- what is that saying? Finder's keepers? But no, even if I’d try to do that, I’m too guilty. I remember when I was 14, I stole a little bracelet from a vendor, like an outside cart vendor, it was me being rebellious, and I had a lot of friends who loved to steal ChapSticks and little things, and so it was me trying to include myself in the situation. So I stole this bracelet. And I had it for a full day, but I couldn’t wear it because I felt so guilty. So when I wasn’t with my friends, I went and brought it back.
THR: So you are Ernest Hemingway’s great-granddaughter? Did you ever feel pressure to be a writer?
Hemingway: I would never write, ever. I might as well exile myself.
THR: Why?
Hemingway: Because it’s like, if I were related to Monet, I don’t know if I would be comfortable becoming an artist because it’s too much, the comparison. If I wrote a book and put it out, the comparison to my great-grandfather, the comparison would be hilarious. Every critic, it would be their dream, they’d tear me apart. I’m just not a confident writer, either. I feel like I can’t make sense of things in a way. I’m so scatterbrained when I write.
THR: Do people ask you to?
Hemingway: People ask me all the time. And my mother is an actress, and my aunt Margaux was a model. And it’s funny, as much as I’m all about I’m my own person, and I’m making my own name for myself, I have grown up in a world where most of these people who are like me are children of famous parents. So it’s easy to become the socialite and be famous for that. But my whole thing was, as much as I was inspired by what my parents do, and growing up on film sets, watching that made me really want to do that. I am my own person, and I think that the only thing with the Hemingway name is that it has gotten me in the door. But once you’re in there, I know I’m under a huge microscope, and everything you do, people are going through it with a fine-toothed comb and picking at you.
So it’s great, it gets you in there, but once you do, you’ve got to f---ing prove yourself. The modeling, I think it’s different because they don’t give a f---, it’s harder to get in there with a name already, and I think I had to prove myself, and it didn’t matter who I was. But I don’t feel like I’m competing against anything in my family; I’m so honored to be a part of it, but I also know I am my own self, and I’m not riding anyone’s coattails because I know I really worked for something.
body double 替身；improvisational 即兴的；scatterbrained
注意力不集中
The young actress talks to THR about her burgeoning acting career as well as how she copes with bearing the last name of one of the world's most famed writers.
正文
As much as she'd probably like to avoid it, the first line in Dree Hemingway's biography probably would note that she is the great-granddaughter of famed writer Ernest Hemingway and the daughter of actress Mariel Hemingway. But with a few more movies like Starlet, her first leading feature role, that just might change.
Hemingway, 25, plays Jane, a flighty, listless woman in her early 20s living in Los Angeles with her friend and the friend's boyfriend. She flits about through her days, smoking weed and shopping and taking her Chihuahua wherever she goes. She might seem like a low-rent Paris Hilton, but she has more depth than it appears at first glance.
Film Review: Starlet
When she buys a thermos for a dollar at a yard sale from an old woman, she finds $10,000 rolled up inside. After trying to return the thermos to the cantankerous octogenarian, who refuses, she decides to at least befriend the lonely widow, Sadie. This is easier said than done, though the two eventually form an odd relationship. It is one built partially on lies; Jane doesn't tell Sadie about the money, or the fact that she works as a porn actress -- something kept from the audience through much of the movie, as well.
THR recently spoke to Hemingway about the film and her famous bloodlines.
The Hollywood Reporter: What happened in your interview with director Sean Baker?
Dree Hemingway: I’m so passionate about this character, but a lot of it was how I perceived her and who I thought she was and to clarify if I’d do the porn scene. And really wanting to assure me that they’d use a body double and just wanting to make sure I’d be comfortable with the whole situation. And everything he was saying about the character was something I had thought of, and there were things that I wanted to bring, and it was really nice. And what really hooked it was the communication between us.
THR: So you weren’t uncomfortable with the porn thing?
Hemingway: I mean, it freaked me out, I’m not going to lie. I think I was so passionate about the whole story that it’s kind of something that it needed. It freaked me out, but also knowing that it wasn’t me was kind of OK for me -- although I’m not in denial that people are going to think it’s me because a lot of people don’t watch the end credits, and it’s really well cut. But as much as it scares me, and is such a scary thing to do, it’s such a neat film that I think that one ending scene is kind of the most perfect ending for any movie, and I just love it. … I’m not a huge fan of porn, but I really wanted to embrace the world from a different perspective, where it’s not a tragedy, it’s not coming from a tragic place.
VIDEO: Starlet Trailer
THR: How much of the film was improv?
Hemingway: Most of it was improvisational, to be honest. It was like, we were given some lines, and you always had to know where you were going to end up in the scene, but a lot of it was improvisational. A lot of it was scary in a way that you can’t really craft. But it’s actually one of the most fun things I’ve ever done. You really have to be present in the situation that you’re in because a lot of time you were working with real people, who didn’t know until they were done working with us that they were on film and working with actors.
THR: Which points were that?
Hemingway: The whole entire porn convention. We had a hidden camera. I had a hidden mic. People thought I was a real porn star at a real booth. All those people talking to me.
THR: So they were just big porn enthusiasts.
Hemingway: They all kept coming up to me and saying: “I really love your movies. I want to work with you.” And I was like, 'Let’s go!' It’s so weird and crazy. And all those people playing bingo, we just stood in the bingo hall.
THR: Was anyone upset about being caught on camera?
Hemingway: A lot of people at the porn convention were really upset that they were on camera. Some of them were like parents, and some of these guys were like, “I’m a schoolteacher.” And you’re like, OK. … But the thing is, there is no judgment on them because they are just the ones that have the balls to get their asses off the computer and go to an actual porn convention. Which I have to say is kind of hilarious and really fun.
THR: Really?
Hemingway: Yeah. It’s an adult amusement park.
THR: It’s like a Comic-Con but for porn.
Hemingway: Exactly! It’s just like Comic-Con. You get some whacked, crazy people, but it’s so much fun. I think if you come to it from a point of not taking it seriously -- a lot of these people go, and they’re there to see one porn star whom they’re obsessed with -- but if that’s not your basis, it is a fun time. It’s hilarious.
THR: What would you do if you found that money, in that situation?
Hemingway: Oh, I’m such a guilty person, I’d totally give it back.
THR: No hesitation?
Hemingway: I mean obviously, I think that part of me would want to keep it in a way because it’d be like, oh I found it, and it’s -- what is that saying? Finder's keepers? But no, even if I’d try to do that, I’m too guilty. I remember when I was 14, I stole a little bracelet from a vendor, like an outside cart vendor, it was me being rebellious, and I had a lot of friends who loved to steal ChapSticks and little things, and so it was me trying to include myself in the situation. So I stole this bracelet. And I had it for a full day, but I couldn’t wear it because I felt so guilty. So when I wasn’t with my friends, I went and brought it back.
THR: So you are Ernest Hemingway’s great-granddaughter? Did you ever feel pressure to be a writer?
Hemingway: I would never write, ever. I might as well exile myself.
THR: Why?
Hemingway: Because it’s like, if I were related to Monet, I don’t know if I would be comfortable becoming an artist because it’s too much, the comparison. If I wrote a book and put it out, the comparison to my great-grandfather, the comparison would be hilarious. Every critic, it would be their dream, they’d tear me apart. I’m just not a confident writer, either. I feel like I can’t make sense of things in a way. I’m so scatterbrained when I write.
THR: Do people ask you to?
Hemingway: People ask me all the time. And my mother is an actress, and my aunt Margaux was a model. And it’s funny, as much as I’m all about I’m my own person, and I’m making my own name for myself, I have grown up in a world where most of these people who are like me are children of famous parents. So it’s easy to become the socialite and be famous for that. But my whole thing was, as much as I was inspired by what my parents do, and growing up on film sets, watching that made me really want to do that. I am my own person, and I think that the only thing with the Hemingway name is that it has gotten me in the door. But once you’re in there, I know I’m under a huge microscope, and everything you do, people are going through it with a fine-toothed comb and picking at you.
So it’s great, it gets you in there, but once you do, you’ve got to f---ing prove yourself. The modeling, I think it’s different because they don’t give a f---, it’s harder to get in there with a name already, and I think I had to prove myself, and it didn’t matter who I was. But I don’t feel like I’m competing against anything in my family; I’m so honored to be a part of it, but I also know I am my own self, and I’m not riding anyone’s coattails because I know I really worked for something.
她死了？我怎么没有看出来？
肖恩贝克早期作品，初心未变，后期的电影都是源于这里的根源。依旧喜欢肖恩贝克对边缘人的关注和情感处理，他有自己的一套人际关系和情感的处理方式，很吵很流行但也最能触及人心。女主是海明威孙女还蛮惊讶的。
一万刀能换到的，我想象不到更多了
很好的故事. 画面美. 素颜女主美绝了!特别是她无限长美腿啊啊啊!
年度最佳温情+意外结局啊 PS女主竟然是海明威孙女
真的是好干净的一部片子，女孩与老人的交心过程，两人心照不宣地知道了一些对方的秘密。海明威孙女的腿好正，Besedka 演得很出色。女优这个设定可能就是为了与 Jane 在日常生活中的单纯善良形成落差，不过 AV 床戏部分真是太大尺度了，简直一览无余。
爱丽·帕克再现，基调暖了很多，可惜女主演技没有Naomi那样出神入化。
意外的很好看啊 虽然镜头色调太像mv什么的吧 但是故事表演都超级舒服啊 女主是海明威的曾孙女你们都知道了 老太太拍完这片就死了你们也知道了 但是你们知道那个和她拍毛片的就是我昔日偶像Manuel Ferrara大神嘛！以为james deen和lilo拍文艺片就够高端了 manuel哥哥比他更厉害啊 果然法国人就是品味好
⒈《橘色》后再接再厉观看《待绽蔷薇》，发现肖恩·贝克作品的配乐再次挺对我的耳口，虽然这部里面反复使用同一段配乐；⒉妈妈咪呀，女主竟然是海明威的亲曾孙女；⒊不用借位而是真操实干的AV戏份，真是让我吃了一惊；⒋亲爱的眼睛，对不起，在你犯困想休息的时候，还让你坚持看完电影，辛苦你了！……
其实是个对老套路做了细致修正改良之后的结果，中后段钝感明显，整体可看度还是挺高的。边缘人+限制级噱头，似乎是肖恩贝克标配啊。
暖瓶温水，至清至澈。先看<橘色>，待绽<蔷薇>，一切刚刚之好。肖恩贝克不光有两把刷子，还有两个一样的瓶子。一个盛水，一个装酒。一个复古精致，一个小巧玲珑。一个暖阳春光，一个花枝招展。一个是平平静静的和和气气，一个是吵吵闹闹的和和美美。这才是生活。克制的胜利。
我们带着创伤生活，就像蔷薇的刺。我们可以预防失去，却学不会对爱免疫。
简在展台后面绽放着微笑、在床上表演着高潮，放纵春光却从不觉得自己被需要。唯有跟老太晒着太阳，听她聊起年轻时的那场动物园求婚，简才真正像个少女一样怀春，愿有人待她如此。从超市接她回家、陪她玩宾果、带她去巴黎，只有与她相伴才真切感受自己被需要。青花暖瓶里藏着一根引信，绽放了她的生活。
淡黃的色調也很好看。整個故事線沒有那麼集中，但最後的抒情比他其他的作品都要用力。
Starlet 是Sean Baker自家的吉娃娃。老太太也是从小就想做演员，70多年后终于如愿以偿，饰演一个老太太，懵懂或睿智，一切似乎都刚刚好。绝美的结尾。
海明威还有这么漂亮的曾外孙女啊？！
暖黄色的色调，很明朗，温暖，很符合小清新的感觉。演员们全程演技在线，老奶奶和德丽的情感其实也温暖了他们两个自己吧。很适合一个人午后静静地看。
视角还挺有想法的
矫情又做作，豆瓣小清新的脑残评分
敢拿钱敢拍片敢真操，洗